Living Geometry 2026 전시 풍경·설치 사진 23장 — 영등포아트스퀘어 미디어아트 특별전 인스털레이션 뷰
KAIST XD Lab 미디어아트 특별전 〈Living Geometry 2026 · 생동 기하학〉의 전시장 풍경·작품 설치 사진을 한 자리에 모았다. 영등포아트스퀘어(타임스퀘어 B2)의 인스털레이션 뷰 23장으로 — 강이연·최정윤·황인태·서민혁 네 작가의 7개 작품이 실제 공간에 어떻게 배치되고 작동하는지를 확인할 수 있다. 사진은 KAIST XD Lab의 기록이며, 각 사진의 caption은 작품 본문과 해설을 그대로 따른다.
전시 전경
전시는 영등포아트스퀘어 한 층에 7개 작품을 동선 순으로 배치한다. 어두운 영상실에서 응시 기반의 단채널 영상으로 시작해, 인터랙티브 설치(맥박 센서·기상 슬라이더·물리적 문)를 거쳐, 본인 핸드폰에서 작동하는 다중 기기 웹 작품으로 닫힌다. 권장 관람 시간은 약 60–90분.
사진은 각 작품의 매체적 형태(단채널·다채널 영상, 미디어월, 인터랙티브 설치, 핸드폰 화면)에 따라 다른 결로 기록되어 있다. 이미지 검색이나 SNS 인용에 사용 가능한 형태로 자유롭게 살펴볼 수 있다.
작품별 설치 사진
각 사진의 캡션은 작품의 매체·작가·제작 연도를 그대로 표기한다. 사진을 클릭해 큰 화면으로 보거나, 작품 본문은 각 작품 페이지에서 이어 읽을 수 있다.
Vanishing 2.0 (강이연 외), Technosphere (강이연), Post-Vanishing (서민혁), City'scape + Tied (서민혁), Goldilocks (황인태), Vessel (황인태), ∫ · Banpo-Xism (최정윤) — 7개 작품 모두 사진으로 확인 가능.
촬영·인용 정책
전시 현장에서 핸드폰 자연광 모드 사진 촬영은 허용된다 (플래시·삼각대 자제 권장). 작품 사진을 외부에 인용할 때는 ‘작가명 · 작품명 · 연도 · 〈Living Geometry 2026〉, KAIST XD Lab’를 함께 표기해 주기를 권한다.
Living Geometry 2026 Installation Views — 23 Photographs of the KAIST XD Lab Exhibition at YDP Artsquare
Installation photographs of Living Geometry 2026 at YDP Artsquare (Times Square B2, Yeongdeungpo). Twenty-three documentation images by KAIST XD Lab show how the seven works by Yiyun Kang, Jeanyoon Choi, Intae Hwang, and Minhyeok Seo unfold across the gallery floor — videos on dark walls, sensor-driven installations, and a web piece that runs on visitors' phones. Captions stay grounded in each work's existing description.
Exhibition overview
The exhibition occupies one floor at YDP Artsquare and is read in sequence: from darkened single-channel video rooms, through sensor-driven interactive installations (pulse sensor, weather sliders, a physical door), into a multi-device web artwork that runs on the visitor's own phone. The suggested visit is 60–90 minutes.
The photographs document each work in its native medium — single-channel and multi-channel video, media walls, interactive installations, and a phone screen. They are usable as visual reference for image search or editorial citation.
Per-work installation photos
Each caption identifies the artist, title, year, and medium as published in the exhibition. Click a photograph for the larger view, or follow through to the work page for the full description.
All seven works are represented — Vanishing 2.0 (Yiyun Kang and collaborators), Technosphere (Yiyun Kang), Post-Vanishing (Minhyeok Seo), City'scape + Tied (Minhyeok Seo), Goldilocks (Intae Hwang), Vessel (Intae Hwang), and ∫ / Banpo-Xism (Jeanyoon Choi).
Photo policy
Visitors may photograph the works with a phone in natural-light mode; flash and tripods are discouraged. Editorial use of images is welcome with the credit line ‘Artist · Title · Year · Living Geometry 2026, KAIST XD Lab.’
Living Geometry 2026 Installation Views — 23 Photographs of the KAIST XD Lab Exhibition at YDP Artsquare
Installation photographs of Living Geometry 2026 at YDP Artsquare (Times Square B2, Yeongdeungpo). Twenty-three documentation images by KAIST XD Lab show how the seven works by Yiyun Kang, Jeanyoon Choi, Intae Hwang, and Minhyeok Seo unfold across the gallery floor — videos on dark walls, sensor-driven installations, and a web piece that runs on visitors' phones. Captions stay grounded in each work's existing description.
Exhibition overview
The exhibition occupies one floor at YDP Artsquare and is read in sequence: from darkened single-channel video rooms, through sensor-driven interactive installations (pulse sensor, weather sliders, a physical door), into a multi-device web artwork that runs on the visitor's own phone. The suggested visit is 60–90 minutes.
The photographs document each work in its native medium — single-channel and multi-channel video, media walls, interactive installations, and a phone screen. They are usable as visual reference for image search or editorial citation.
Per-work installation photos
Each caption identifies the artist, title, year, and medium as published in the exhibition. Click a photograph for the larger view, or follow through to the work page for the full description.
Visitors may photograph the works with a phone in natural-light mode; flash and tripods are discouraged. Editorial use of images is welcome with the credit line ‘Artist · Title · Year · Living Geometry 2026, KAIST XD Lab.’
Photographs — Installation views
Living Geometry 2026 key visual poster — KAIST Experience Design Lab (XD Lab) × YDP Artsquare, May 1 – June 28, 2026.Installation view — Intae Hwang's Vessel (2026) across a dual-channel media wall. A year of Seoul's mobility data, translated into geometric form.Installation view — Yiyun Kang's Vanishing 2.0 (2025) across a multi-channel media wall. Landscapes after the sixth mass extinction.Exhibition key visual — Living Geometry 2026 graphic motif (no text). A cluster of concrete blocks floating across a grid.Yiyun Kang, Vanishing 2.0 (2025) — single-channel video, sound, 3'30. Blossoms and insects scattered across grass.Yiyun Kang, Vanishing 2.0 (2025) — fossilised wings and feathers across a multi-channel media wall. Beyond elegy, asking what may remain after disappearance.Yiyun Kang, Technosphere (2026) — single-channel video, sound, 2'07. Algorithmically self-propagating urban structures condensed into spheres.Yiyun Kang, Technosphere (2026) — humanity's artificial sixth sphere visualised as a geological stratum across a multi-channel image.Minhyeok Seo, Post-Vanishing (2026) — single-channel video, sound, 2'05. A black city-creature surfacing over a city after humans.Minhyeok Seo, Post-Vanishing (2026) — three-plane media wall. 'Kkumteuli,' a colossal cylinder of bone, copper, gold, iron, and concrete, moves across a pink landscape.Minhyeok Seo, City'scape + Tied (2026) — a visitor stands at the small door, looking through a TV screen onto the landscape beyond. Single-channel video, 1'30.Minhyeok Seo, City'scape + Tied (2026) — the small door opens onto a summer treeline beyond the screen; the wider it opens, the stronger the wind that follows.Minhyeok Seo, City'scape + Tied (2026) — the small door and the large door at the end of an alley-like circulation. A private cut inside the city.Minhyeok Seo, City'scape + Tied (2026) — the large door opens to reveal the landscape behind the screen; closing it returns the visitor to ordinary reality.Jeanyoon Choi, ∫ (Banpo-Xism) (2026) — sixteen-frame contact sheet from the multi-device web artwork. An apartment grid being twisted through successive interactions.Jeanyoon Choi, ∫ (Banpo-Xism) (2026) — the multi-device web artwork running in a visitor's own phone. AI-generated apartment listings scroll on the device.Jeanyoon Choi, ∫ (Banpo-Xism) (2026) — three TV panels showing text and image fields; the labels 'Banpo' and 'Xi' scatter across the plane.Jeanyoon Choi, ∫ (Banpo-Xism) (2026) — the apartment grid spinning across the media wall in a pink-violet wash. Tapping an advertisement integrates the plane outward into a manifold.Jeanyoon Choi, ∫ (Banpo-Xism) (2026) — media wall detail: the grid rotates while labels such as 'Banpo Xi · 4.95 billion KRW' surface across it.Jeanyoon Choi, ∫ (Banpo-Xism) (2026) — the apartment grid integrates across higher dimensions; advertising labels scatter across it.Jeanyoon Choi, ∫ (Banpo-Xism) (2026) — another moment on a visitor's phone; the work runs in real time on the visitor's own device.Installation view — Minhyeok Seo's City'scape + Tied (2026) in a violet-lit gallery. TV screens and the small / large doors share the space with a grid-patterned light wall.Installation view — Minhyeok Seo's Post-Vanishing (2026) on the media wall, with three secondary screens. A black creature of a city after humans crosses the frame.
Transit :: 3-min walk from Yeongdeungpo Station (Line 1 / KTX)
Curated by :: KAIST Experience Design Lab (XD Lab)
Photography :: KAIST XD Lab
About the exhibition
Living Geometry 2026 is a media-art special exhibition curated and developed by the KAIST Experience Design Lab (XD Lab) within KAIST's Department of Industrial Design. It re-threads Yeongdeungpo's visible urban landscape, its invisible data, and the emotional strata behind them in a geometric language — recasting the city, beyond a stilled aggregate of concrete, as an organism in continual pulse. Seven works span single-channel video, interactive installation, and multi-device web art.
Title :: Living Geometry 2026 · 생동 기하학 (Living Geometry)
Dates :: May 1 – Jun 28, 2026
Hours :: Daily 10:00–18:00 (last entry 17:45)
Venue :: YDP Artsquare · Times Square B2F, 15 Yeongjung-ro, Yeongdeungpo-gu, Seoul
