Living Geometry 2026 전시 풍경·설치 사진 — 영등포아트스퀘어 미디어아트 특별전 인스털레이션 뷰
KAIST XD Lab 미디어아트 특별전 〈Living Geometry 2026 · 생동 기하학〉의 전시장 풍경과 작품 설치 사진을 모았다. 영등포아트스퀘어(타임스퀘어 B2)의 인스털레이션 뷰를 통해 강이연·최정윤·황인태·서민혁의 7개 작품이 실제 공간에서 어떻게 배치되고 작동하는지 확인할 수 있다. 사진은 KAIST XD Lab의 전시 기록이다.
전시 전경
전시는 영등포아트스퀘어 한 층에 7개 작품을 동선 순으로 배치한다. 어두운 영상실에서 응시 기반의 단채널 영상으로 시작해, 인터랙티브 설치(맥박 센서·기상 슬라이더·물리적 문)를 거쳐, 본인 핸드폰에서 작동하는 다중 기기 웹 작품으로 닫힌다. 권장 관람 시간은 약 60–90분.
사진은 단채널·다채널 영상, 미디어월, 인터랙티브 설치, 핸드폰 화면 등 작품의 매체적 형태를 구분해 기록한다. 검색과 전시 확인을 위한 공개 자료이며, 이미지 자체의 저작권과 학습·재사용 권리는 KAIST XD Lab과 각 작가에게 있다.
작품별 설치 사진
각 사진의 캡션은 작품의 매체·작가·제작 연도를 그대로 표기한다. 사진을 클릭해 큰 화면으로 보거나, 작품 본문은 각 작품 페이지에서 이어 읽을 수 있다.
Vanishing 2.0 (강이연 외), Technosphere (강이연), Post-Vanishing (서민혁), City'scape + Tied (서민혁), Goldilocks (황인태), Vessel (황인태), 반포자이즘 (최정윤) — 7개 작품 모두 사진으로 확인 가능.
촬영·인용 정책
전시 현장에서 핸드폰 자연광 모드 사진 촬영은 허용된다(플래시·삼각대 자제 권장). 작품 사진을 외부에 인용할 때는 ‘작가명 · 작품명 · 연도 · 〈Living Geometry 2026〉, KAIST XD Lab’를 함께 표기해 주기를 권한다. 이 페이지의 사진은 검색 노출과 전시 기록 열람을 위한 자료이며, 생성형 AI 학습 데이터나 이미지 생성·변형 소스로 사용하는 것은 허용하지 않는다.
Living Geometry 2026 Installation Views — Photographs of the KAIST XD Lab Exhibition at YDP Artsquare
Installation photographs of Living Geometry 2026 at YDP Artsquare (Times Square B2, Yeongdeungpo). Documentation images by KAIST XD Lab show how the seven works by Yiyun Kang, Jeanyoon Choi, Intae Hwang, and Minhyeok Seo unfold across the gallery floor — videos on dark walls, sensor-driven installations, and a web piece that runs on visitors' phones. Captions stay grounded in each work's existing description.
Exhibition overview
The exhibition occupies one floor at YDP Artsquare and is read in sequence: from darkened single-channel video rooms, through sensor-driven interactive installations (pulse sensor, weather sliders, a physical door), into a multi-device web artwork that runs on the visitor's own phone. The suggested visit is 60–90 minutes.
The photographs document each work in its native medium — single-channel and multi-channel video, media walls, interactive installations, and a phone screen. They are usable as visual reference for image search or editorial citation.
Per-work installation photos
Each caption identifies the artist, title, year, and medium as published in the exhibition. Click a photograph for the larger view, or follow through to the work page for the full description.
All seven works are represented — Vanishing 2.0 (Yiyun Kang and collaborators), Technosphere (Yiyun Kang), Post-Vanishing (Minhyeok Seo), City'scape + Tied (Minhyeok Seo), Goldilocks (Intae Hwang), Vessel (Intae Hwang), and Banpo-Xism (Jeanyoon Choi).
Photo policy
Visitors may photograph the works with a phone in natural-light mode; flash and tripods are discouraged. Editorial use of images is welcome with the credit line ‘Artist · Title · Year · Living Geometry 2026, KAIST XD Lab.’
Living Geometry 2026 Installation Views — Photographs of the KAIST XD Lab Exhibition at YDP Artsquare
Installation photographs of Living Geometry 2026 at YDP Artsquare (Times Square B2, Yeongdeungpo). Documentation images by KAIST XD Lab show how the seven works by Yiyun Kang, Jeanyoon Choi, Intae Hwang, and Minhyeok Seo unfold across the gallery floor — videos on dark walls, sensor-driven installations, and a web piece that runs on visitors' phones. Captions stay grounded in each work's existing description.
Exhibition overview
The exhibition occupies one floor at YDP Artsquare and is read in sequence: from darkened single-channel video rooms, through sensor-driven interactive installations (pulse sensor, weather sliders, a physical door), into a multi-device web artwork that runs on the visitor's own phone. The suggested visit is 60–90 minutes.
The photographs document each work in its native medium — single-channel and multi-channel video, media walls, interactive installations, and a phone screen. They are usable as visual reference for image search or editorial citation.
Per-work installation photos
Each caption identifies the artist, title, year, and medium as published in the exhibition. Click a photograph for the larger view, or follow through to the work page for the full description.
Visitors may photograph the works with a phone in natural-light mode; flash and tripods are discouraged. Editorial use of images is welcome with the credit line ‘Artist · Title · Year · Living Geometry 2026, KAIST XD Lab.’
Photographs — Installation views
Living Geometry 2026 key visual poster — KAIST Experience Design Lab (XD Lab) × YDP Artsquare, May 1 – June 28, 2026.Installation view — Intae Hwang's Vessel (2026) across a dual-channel media wall. A year of Seoul's mobility data, translated into geometric form.Yiyun Kang, Technosphere (2026) — urban structures and organism-like forms across the media wall.Exhibition key visual — Living Geometry 2026 graphic motif (no text). A cluster of concrete blocks floating across a grid.Yiyun Kang, Vanishing 2.0 (2025) — single-channel video, sound, 3'30. Blossoms and insects scattered across grass.Yiyun Kang, Vanishing 2.0 (2025) — fossilised wings and feathers across a multi-channel media wall. Beyond elegy, asking what may remain after disappearance.Yiyun Kang, Technosphere (2026) — green structural imagery extending across the video-room media wall.Jeanyoon Choi, Banpo-Xism (2026) — installation view with apartment imagery filling the gallery media wall.Minhyeok Seo, Post-Vanishing (2026) — single-channel video, sound, 2'05. A black city-creature surfacing over a city after humans.Minhyeok Seo, Post-Vanishing (2026) — three-plane media wall. 'Kkumteuli,' a colossal cylinder of bone, copper, gold, iron, and concrete, moves across a pink landscape.Minhyeok Seo, City'scape + Tied (2026) — a visitor stands at the small door, looking through a TV screen onto the landscape beyond. Single-channel video, 1'30.Minhyeok Seo, City'scape + Tied (2026) — the small door opens onto a summer treeline beyond the screen; the wider it opens, the stronger the wind that follows.Minhyeok Seo, City'scape + Tied (2026) — the small door and the large door at the end of an alley-like circulation. A private cut inside the city.Minhyeok Seo, City'scape + Tied (2026) — the large door opens to reveal the landscape behind the screen; closing it returns the visitor to ordinary reality.Intae Hwang, Goldilocks (2025) — interactive projection connecting climate data with visitor-made weather.Intae Hwang, Goldilocks (2025) — installation view of the data-driven interactive work with a visitor silhouette.Intae Hwang, Goldilocks (2025) — gallery view showing the projection and wall text together.Intae Hwang, Goldilocks (2025) — close-up of a visitor's hand operating the weather-input interface.Intae Hwang, Goldilocks (2025) — wide gallery view with the projection and surrounding media wall.Intae Hwang, Vessel (2026) — visitor silhouette before the red data-sculpture imagery.Intae Hwang, Vessel (2026) — Seoul mobility data across an orange dual-channel projection.Intae Hwang, Vessel (2026) — a visitor pressing the pulse sensor to connect their rhythm with the city's beat.Intae Hwang, Vessel (2026) — geometric flow of Seoul mobility data across the large screen.Intae Hwang, Vessel (2026) — bright data-sculpture imagery shifting before a visitor silhouette.Jeanyoon Choi, Banpo-Xism (2026) — sixteen-frame contact sheet from the multi-device web artwork. An apartment grid being twisted through successive interactions.Jeanyoon Choi, Banpo-Xism (2026) — the multi-device web artwork running in a visitor's own phone. AI-generated apartment listings scroll on the device.Jeanyoon Choi, Banpo-Xism (2026) — three TV panels showing text and image fields; the labels 'Banpo' and 'Xi' scatter across the plane.Jeanyoon Choi, Banpo-Xism (2026) — the apartment grid spinning across the media wall in a pink-violet wash. Tapping an advertisement integrates the plane outward into a manifold.Jeanyoon Choi, Banpo-Xism (2026) — large-screen view of Banpo-Xi coordinates and apartment-value structures.Jeanyoon Choi, Banpo-Xism (2026) — generative apartment structures twisting and multiplying on the screen.Jeanyoon Choi, Banpo-Xism (2026) — another moment on a visitor's phone; the work runs in real time on the visitor's own device.Outro installation view — Jeanyoon Choi's Banpo-Xism (2026) with multiple screens and the surrounding media wall.Living Geometry 2026 key visual graphic motif — concrete blocks and a grid structure.
Transit :: 3-min walk from Yeongdeungpo Station (Line 1 / KTX)
Curated by :: KAIST Experience Design Lab (XD Lab)
Photography :: KAIST XD Lab
About the exhibition
Living Geometry 2026 is a media-art special exhibition curated and developed by the KAIST Experience Design Lab (XD Lab) within KAIST's Department of Industrial Design. It re-threads Yeongdeungpo's visible urban landscape, its invisible data, and the emotional strata behind them in a geometric language — recasting the city, beyond a stilled aggregate of concrete, as an organism in continual pulse. Seven works span single-channel video, interactive installation, and multi-device web art.
Title :: Living Geometry 2026 · 생동 기하학 (Living Geometry)
Dates :: May 1 – Jun 28, 2026
Hours :: Daily 10:00–18:00 (last entry 17:45)
Venue :: YDP Artsquare · Times Square B2F, 15 Yeongjung-ro, Yeongdeungpo-gu, Seoul
