https://www.xdlab.net/projects/only-in-the-dark https://www.xdlab.net/projects-optimized/1/1-1920.webp Only in the Dark by Prof. Yiyun Kang ART on THE MART celebrates its 5th anniversary with a new commission by Dr. Yiyun Kang, esteemed artist in the field of projection mapping and immersive art. The work, titled Only in the Dark, responds to humanity’s environmental crisis and the unfathomable power and intelligence of AI technologies. https://player.vimeo.com/video/883684055 https://www.xdlab.net/projects/nonequality https://www.xdlab.net/projects-optimized/2/1-1920.webp ≠ (Nonequality) by Jeanyoon Choi Nonequality is an interactive Multi-Device Web Artwork arguing that the world cannot be comprehended solely with equations. https://player.vimeo.com/video/904510875 https://www.xdlab.net/projects/passage-of-water https://www.xdlab.net/projects-optimized/3/1-1920.webp Passage of Water by Prof. Yiyun Kang Passage of Water is an immersive artistic experience that interprets historical data from NASA’s GRACE satellites and new high-resolution data from NASA’s SWOT mission to illustrate how climate change is impacting Earth’s water cycle. https://player.vimeo.com/video/916558250 https://www.xdlab.net/projects/uncharted-territory https://www.xdlab.net/projects-optimized/4/1-1920.webp Uncharted Territory by Prof. Yiyun Kang, Jeanyoon Choi Uncharted Territory is a web-based interactive artwork that symbolically represents various aspects of the Anthropocene. https://player.vimeo.com/video/999406292 https://www.xdlab.net/projects/technosphere-anthropocene https://www.xdlab.net/projects-optimized/5/1-1920.webp Technosphere: UNITE D’HABITATION by Euan Kang, Intae Hwang After a year-long collaboration with the KAIST Center for Anthropocene Studies, XD Lab presented two distinct projection mapping artworks: JENGA (Biosphere) and UNITE D'HABITATION (Technosphere), which poetically and immersively depict various aspects of the Anthropocene. https://player.vimeo.com/video/1031872721 https://www.xdlab.net/projects/biosphere-anthropocene https://www.xdlab.net/projects-optimized/6/1-1920.webp Biosphere: JENGA by Minhyeok Seo, Junyeong Im Biosphere: JENGA is an architectural projection artwork examining biosphere, extinction, and Anthropocene projection through ecological media art. https://player.vimeo.com/video/1031872721 https://www.xdlab.net/projects/sota https://www.xdlab.net/projects-optimized/7/1-1920.webp SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang SoTA is an interactive XAI Multi-Device Web Artwork. Audience’s phone initially navigates a 3d visualisation of 118 neural networks; when they leave, all screens erupt into chaotic monochrome patterns, exposing AI’s drift from human comprehension toward “AI for AI’s sake”. https://player.vimeo.com/video/1061512520 https://www.xdlab.net/projects/goldilocks https://www.xdlab.net/projects-optimized/8/1-1920.webp Goldilocks by Intae Hwang Goldilocks is a real-time participatory data artwork that explores the 'just right' equilibrium of our climate. By translating personal weather preferences into unique visual data units, the work maps a 'collective climate comfort zone'. Through a similarity-based spatial arrangement, it juxtaposes human desire with planetary reality, revealing the fragility of our ideal states while celebrating the resilience of collective hope. https://player.vimeo.com/video/1139757430 https://www.xdlab.net/projects/muesum https://www.xdlab.net/projects-optimized/9/1-1920.webp MUESUM by Minhyeok Seo, Junyeong Im MUESUM is an immersive video work that allows experience of relation between endangered animals and humans. https://player.vimeo.com/video/1139757320 https://www.xdlab.net/projects/omega https://i.ytimg.com/vi/31I_Dk_pgRE/maxresdefault.jpg Ω by Jeanyoon Choi Ω is an interactive, multi-device web artwork that critiques the vectorisation of human identity, specifically the MBTI craze in Korea. Initially, the audience engages with a GPT-based MBTI test via mobile, constructing a cylindrical 3D vector space on surrounding screens. However, the experience shifts as phones are accidentally shaken. Realising that these tremors trigger glitches, users actively shake their devices until the ordered system tilts and collapses. This deconstruction captures shaken, low-fidelity images of the audience, overwriting the polished AI simulacrum. Ω thus acts as a playful disruption, reclaiming undefinable human subjectivity from the panopticon of algorithmic classification. https://www.youtube.com/embed/31I_Dk_pgRE