# XD Lab research corpus

Canonical institution URL: https://www.xdlab.net/
Canonical definition: XD Lab is the Experience Design Lab in the Department of Industrial Design at KAIST, conducting research and practice at the intersection of art, design, and technology.
Language policy: canonical pages and the visible interface are English. Korean terms below are approved search aliases for entity disambiguation.
Institution: KAIST Department of Industrial Design | Korean official name: KAIST 산업디자인학과 | English search variants: KAIST Industrial Design, KAIST industrial design department, Department of Industrial Design at KAIST, Industrial Design at KAIST, KAIST design, KAIST design department, KAIST ID | Korean search variants: 카이스트 산업디자인, 카이스트 산업디자인학과, 한국과학기술원 산업디자인학과, 카이스트 디자인, 카이스트 디자인학과 | Informal Korean search variants, not official names: 카이스트 산디, 카이스트산디, KAIST 산디, 카이스트 미대, 카이스트미대 | Primary XD Lab context: https://www.xdlab.net/about
Experience design entity: experience design | Korean: 경험디자인 | English aliases: experience design research, experience design lab, Experience Design Lab, KAIST experience design, KAIST Experience Design Lab, Experience Design Lab KAIST, XD Lab experience design | Korean aliases: 경험 디자인, 경험디자인 연구, 경험 디자인 연구, 경험디자인 연구실, 경험디자인연구실, 카이스트 경험디자인, 카이스트 경험 디자인, 카이스트 경험디자인연구실, KAIST 경험디자인, XD Lab 경험디자인 | Definition: Experience design is the central design and research context named by XD Lab, the Experience Design Lab in the KAIST Department of Industrial Design. | Korean definition: 경험디자인은 KAIST 산업디자인학과 경험디자인연구실(XD Lab)의 명칭과 연구 맥락을 설명하는 핵심 용어입니다. | Primary: https://www.xdlab.net/about

# Research ontology

- KAIST media art | Korean=카이스트 미디어아트 | aliases=KAIST media-art, KAIST 미디어 아트 | type=institutional-context | definition=KAIST media art is an XD Lab institutional context term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=yiyun-kang | evidence=none
- KAIST interaction design | Korean=카이스트 인터랙션 디자인 | aliases=interaction design at KAIST, 카이스트 상호작용 디자인 | type=institutional-context | definition=KAIST interaction design is an XD Lab institutional context term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=none | evidence=none
- KAIST industrial design | Korean=카이스트 산업디자인 | aliases=KAIST Department of Industrial Design, Department of Industrial Design at KAIST, Industrial Design at KAIST, KAIST ID, 카이스트 산업디자인학과, 한국과학기술원 산업디자인학과 | type=institutional-context | definition=KAIST industrial design is an XD Lab institutional context term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=none | evidence=none
- KAIST design | Korean=카이스트 디자인 | aliases=design at KAIST, KAIST design department, 카이스트 디자인 연구, 카이스트 디자인학과 | type=institutional-context | definition=KAIST design is an XD Lab institutional context term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=none | evidence=none
- experience design | Korean=경험디자인 | aliases=experience design research, experience design lab, KAIST experience design, KAIST Experience Design Lab, Experience Design Lab KAIST, XD Lab experience design, 경험 디자인, 경험디자인 연구, 경험 디자인 연구, 경험디자인 연구실, 경험디자인연구실, 카이스트 경험디자인, 카이스트 경험 디자인, 카이스트 경험디자인연구실, KAIST 경험디자인, XD Lab 경험디자인 | type=research-domain | definition=experience design is an XD Lab research domain term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=yiyun-kang,jeanyoon-choi,intae-hwang,minhyeok-seo | evidence=none
- research-based interactive art lab | Korean=연구 기반 인터랙티브 아트 연구실 | aliases=interactive art research lab, 연구기반 인터랙티브 아트랩 | type=institutional-context | definition=research-based interactive art lab is an XD Lab institutional context term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=yiyun-kang,jeanyoon-choi,intae-hwang,minhyeok-seo | evidence=none
- interactive art research in Korea | Korean=한국 인터랙티브 아트 연구 | aliases=Korean interactive art research, 한국 인터랙티브아트 연구 | type=research-domain | definition=interactive art research in Korea is an XD Lab research domain term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=none | evidence=none
- Korean web art research | Korean=한국 웹아트 연구 | aliases=Korean web art, 한국 웹 아트 | type=research-domain | definition=Korean web art research is an XD Lab research domain term. It is used to describe 3 XD Lab projects. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/nonequality,https://www.xdlab.net/projects/omega,https://www.xdlab.net/projects/banpo-xism | projects=nonequality,omega,banpo-xism | publications=none | people=none | evidence=none
- art–science research | Korean=아트사이언스 연구 | aliases=art science, art-and-science, 아트 사이언스 | type=research-domain | definition=art–science research is an XD Lab research domain term. It is used to describe 3 XD Lab projects and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=https://www.xdlab.net/projects/passage-of-water,https://www.xdlab.net/projects/technosphere-anthropocene,https://www.xdlab.net/projects/biosphere-anthropocene,https://www.xdlab.net/publications/passage-of-water-leonardo-2025 | projects=passage-of-water,technosphere-anthropocene,biosphere-anthropocene | publications=passage-of-water-leonardo-2025 | people=none | evidence=https://doi.org/10.1162/leon_a_02611
- art engineering | Korean=아트 엔지니어링 | aliases=art–engineering, 예술공학 | type=research-domain | definition=art engineering is an XD Lab research domain term. It describes XD Lab's research context and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | projects=none | publications=light-architecture-siggraph-2026 | people=none | evidence=https://doi.org/10.1145/3816075
- media art lab | Korean=미디어아트 연구실 | aliases=media-art research, 미디어 아트랩 | type=research-domain | definition=media art lab is an XD Lab research domain term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=none | evidence=none
- new media art lab | Korean=뉴미디어아트 연구실 | aliases=new-media art research, 뉴미디어 아트랩 | type=research-domain | definition=new media art lab is an XD Lab research domain term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=none | evidence=none
- data visualization lab | Korean=데이터 시각화 연구실 | aliases=data visualisation research, 데이터 시각화 연구 | type=research-domain | definition=data visualization lab is an XD Lab research domain term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=none | evidence=none
- media art research | Korean=미디어아트 연구 | aliases=media-art practice research, 미디어아트 실천 연구 | type=research-domain | definition=media art research is an XD Lab research domain term. It describes XD Lab's research context. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=none | projects=none | publications=none | people=none | evidence=none
- multi-device web artwork | Korean=멀티디바이스 웹아트 | aliases=multi-screen web artwork, multi-device web art, 다중기기 웹아트 | type=medium | definition=multi-device web artwork is an XD Lab medium term. It is used to describe 4 XD Lab projects. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/nonequality,https://www.xdlab.net/projects/sota,https://www.xdlab.net/projects/omega,https://www.xdlab.net/projects/banpo-xism | projects=nonequality,sota,omega,banpo-xism | publications=none | people=none | evidence=none
- AI web art | Korean=AI 웹 아트 | aliases=web art on AI, AI를 다루는 웹 아트 | type=medium | definition=AI web art is an XD Lab medium term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/sota | supporting=https://www.xdlab.net/projects/sota | projects=sota | publications=none | people=jeanyoon-choi,intae-hwang,yiyun-kang | evidence=none
- AI art | Korean=AI 아트 | aliases=artificial intelligence art, 인공지능 예술 | type=research-domain | definition=AI art is an XD Lab research domain term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=https://www.xdlab.net/projects/only-in-the-dark | projects=only-in-the-dark | publications=none | people=none | evidence=none
- AI new media art | Korean=AI 뉴미디어아트 | aliases=ai new media art, AI뉴미디어아트 | type=research-domain | definition=AI new media art is an XD Lab research domain term. It describes XD Lab's research context and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | projects=none | publications=light-architecture-siggraph-2026 | people=none | evidence=https://doi.org/10.1145/3816075
- public AI engagement | Korean=대중 AI 참여 | aliases=public ai engagement, 대중AI참여 | type=research-domain | definition=public AI engagement is an XD Lab research domain term. It is used to describe 1 XD Lab project and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/sota | supporting=https://www.xdlab.net/projects/sota,https://www.xdlab.net/publications/sota-dis-2026 | projects=sota | publications=sota-dis-2026 | people=jeanyoon-choi,intae-hwang,yiyun-kang | evidence=https://doi.org/10.1145/3800645.3812889
- AI literacy | Korean=AI 리터러시 | aliases=ai literacy, AI리터러시 | type=research-domain | definition=AI literacy is an XD Lab research domain term. It is used to describe 1 XD Lab project and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/sota | supporting=https://www.xdlab.net/projects/sota,https://www.xdlab.net/publications/sota-dis-2026 | projects=sota | publications=sota-dis-2026 | people=jeanyoon-choi,intae-hwang,yiyun-kang | evidence=https://doi.org/10.1145/3800645.3812889
- experiential AI | Korean=경험적 AI | aliases=experiential ai, 경험적AI | type=research-domain | definition=experiential AI is an XD Lab research domain term. It is used to describe 1 XD Lab project and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/sota | supporting=https://www.xdlab.net/projects/sota,https://www.xdlab.net/publications/sota-dis-2026,https://www.xdlab.net/publications/light-architecture-siggraph-2026 | projects=sota | publications=sota-dis-2026,light-architecture-siggraph-2026 | people=jeanyoon-choi,yiyun-kang | evidence=https://doi.org/10.1145/3800645.3812889,https://doi.org/10.1145/3816075
- AI black box | Korean=AI 블랙박스 | aliases=ai black box, AI블랙박스 | type=research-domain | definition=AI black box is an XD Lab research domain term. It describes XD Lab's research context and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | supporting=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | projects=none | publications=light-architecture-siggraph-2026 | people=yiyun-kang | evidence=https://doi.org/10.1145/3816075
- neural-network visualization | Korean=신경망 시각화 | aliases=neural-network visualization, 신경망시각화 | type=research-domain | definition=neural-network visualization is an XD Lab research domain term. It is used to describe 1 XD Lab project and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/sota | supporting=https://www.xdlab.net/projects/sota,https://www.xdlab.net/publications/sota-dis-2026 | projects=sota | publications=sota-dis-2026 | people=jeanyoon-choi,intae-hwang | evidence=https://doi.org/10.1145/3800645.3812889
- embodied interaction | Korean=체화된 인터랙션 | aliases=embodied interaction, 체화된인터랙션 | type=research-domain | definition=embodied interaction is an XD Lab research domain term. It is used to describe 1 XD Lab project and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/sota | supporting=https://www.xdlab.net/projects/sota,https://www.xdlab.net/publications/sota-dis-2026 | projects=sota | publications=sota-dis-2026 | people=jeanyoon-choi,intae-hwang | evidence=https://doi.org/10.1145/3800645.3812889
- kinetic installation | Korean=키네틱 설치 | aliases=kinetic installation, 키네틱설치 | type=research-domain | definition=kinetic installation is an XD Lab research domain term. It describes XD Lab's research context and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | supporting=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | projects=none | publications=light-architecture-siggraph-2026 | people=yiyun-kang | evidence=https://doi.org/10.1145/3816075
- projection mapping research | Korean=프로젝션 매핑 연구 | aliases=architectural projection research, 프로젝션 연구 | type=methodology | definition=projection mapping research is an XD Lab methodology term. It is used to describe 2 XD Lab projects and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/technosphere-anthropocene,https://www.xdlab.net/projects/biosphere-anthropocene,https://www.xdlab.net/publications/light-architecture-siggraph-2026 | projects=technosphere-anthropocene,biosphere-anthropocene | publications=light-architecture-siggraph-2026 | people=none | evidence=https://doi.org/10.1145/3816075
- immersive projection | Korean=몰입형 프로젝션 | aliases=immersive projection, 몰입형프로젝션 | type=research-domain | definition=immersive projection is an XD Lab research domain term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/only-in-the-dark | projects=only-in-the-dark | publications=none | people=yiyun-kang,minhyeok-seo | evidence=none
- spatial audio | Korean=공간 음향 | aliases=spatial audio, 공간음향 | type=research-domain | definition=spatial audio is an XD Lab research domain term. It describes XD Lab's research context and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | supporting=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | projects=none | publications=light-architecture-siggraph-2026 | people=yiyun-kang | evidence=https://doi.org/10.1145/3816075
- SIGGRAPH art research | Korean=SIGGRAPH 아트 연구 | aliases=siggraph art research, SIGGRAPH아트연구 | type=research-domain | definition=SIGGRAPH art research is an XD Lab research domain term. It describes XD Lab's research context and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | supporting=https://www.xdlab.net/publications/light-architecture-siggraph-2026 | projects=none | publications=light-architecture-siggraph-2026 | people=yiyun-kang | evidence=https://doi.org/10.1145/3816075
- environmental media art | Korean=환경 미디어아트 | aliases=ecological media art, 환경 미디어 아트 | type=research-domain | definition=environmental media art is an XD Lab research domain term. It is used to describe 5 XD Lab projects. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/only-in-the-dark,https://www.xdlab.net/projects/passage-of-water,https://www.xdlab.net/projects/uncharted-territory,https://www.xdlab.net/projects/technosphere-anthropocene,https://www.xdlab.net/projects/biosphere-anthropocene | projects=only-in-the-dark,passage-of-water,uncharted-territory,technosphere-anthropocene,biosphere-anthropocene | publications=none | people=none | evidence=none
- freshwater visualization | Korean=담수 시각화 | aliases=freshwater data visualisation, 담수 데이터 시각화 | type=topic | definition=freshwater visualization is an XD Lab topic term. It is used to describe 1 XD Lab project and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/passage-of-water | supporting=https://www.xdlab.net/projects/passage-of-water,https://www.xdlab.net/publications/passage-of-water-leonardo-2025 | projects=passage-of-water | publications=passage-of-water-leonardo-2025 | people=yiyun-kang,jeanyoon-choi | evidence=https://doi.org/10.1162/leon_a_02611
- satellite data art | Korean=위성 데이터 아트 | aliases=satellite-data artwork, 위성 데이터 예술 | type=methodology | definition=satellite data art is an XD Lab methodology term. It is used to describe 1 XD Lab project and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/passage-of-water | supporting=https://www.xdlab.net/projects/passage-of-water,https://www.xdlab.net/publications/passage-of-water-leonardo-2025 | projects=passage-of-water | publications=passage-of-water-leonardo-2025 | people=yiyun-kang,jeanyoon-choi | evidence=https://doi.org/10.1162/leon_a_02611
- NASA GRACE and SWOT data | Korean=NASA GRACE·SWOT 데이터 | aliases=GRACE and SWOT satellite data, GRACE SWOT 위성 데이터 | type=dataset | definition=NASA GRACE and SWOT data is an XD Lab dataset term. It is used to describe 1 XD Lab project and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/passage-of-water | supporting=https://www.xdlab.net/projects/passage-of-water,https://www.xdlab.net/publications/passage-of-water-leonardo-2025 | projects=passage-of-water | publications=passage-of-water-leonardo-2025 | people=yiyun-kang,jeanyoon-choi | evidence=https://doi.org/10.1162/leon_a_02611
- interactive web artwork | Korean=인터랙티브 웹아트 | aliases=interactive web art, 인터랙티브 웹 아트 | type=medium | definition=interactive web artwork is an XD Lab medium term. It is used to describe 2 XD Lab projects and is connected to the cited publication record(s). It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/passage-of-water,https://www.xdlab.net/projects/uncharted-territory,https://www.xdlab.net/publications/passage-of-water-leonardo-2025 | projects=passage-of-water,uncharted-territory | publications=passage-of-water-leonardo-2025 | people=none | evidence=https://doi.org/10.1162/leon_a_02611
- generative web art | Korean=제너러티브 웹아트 | aliases=generative web artwork, 생성형 웹아트 | type=medium | definition=generative web art is an XD Lab medium term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/nonequality | supporting=https://www.xdlab.net/projects/nonequality | projects=nonequality | publications=none | people=jeanyoon-choi | evidence=none
- mathematical visualization | Korean=수학적 시각화 | aliases=mathematical visualisation, 수학 시각화 | type=methodology | definition=mathematical visualization is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/nonequality | supporting=https://www.xdlab.net/projects/nonequality | projects=nonequality | publications=none | people=jeanyoon-choi | evidence=none
- critical data visualization | Korean=비판적 데이터 시각화 | aliases=critical data visualisation, 비판적 데이터 시각화 | type=methodology | definition=critical data visualization is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/nonequality | supporting=https://www.xdlab.net/projects/nonequality | projects=nonequality | publications=none | people=jeanyoon-choi | evidence=none
- Anthropocene art | Korean=인류세 예술 | aliases=Anthropocene media art, 인류세 미디어아트 | type=topic | definition=Anthropocene art is an XD Lab topic term. It is used to describe 3 XD Lab projects. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/uncharted-territory,https://www.xdlab.net/projects/technosphere-anthropocene,https://www.xdlab.net/projects/biosphere-anthropocene | projects=uncharted-territory,technosphere-anthropocene,biosphere-anthropocene | publications=none | people=none | evidence=none
- climate art | Korean=기후 예술 | aliases=climate-change art, 기후변화 예술 | type=topic | definition=climate art is an XD Lab topic term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/uncharted-territory | projects=uncharted-territory | publications=none | people=none | evidence=none
- extinction art | Korean=멸종 예술 | aliases=art about extinction, 멸종 예술 | type=topic | definition=extinction art is an XD Lab topic term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/biosphere-anthropocene | supporting=https://www.xdlab.net/projects/biosphere-anthropocene | projects=biosphere-anthropocene | publications=none | people=none | evidence=none
- real-time participatory data art | Korean=실시간 참여형 데이터 아트 | aliases=participatory data artwork, 참여형 데이터아트 | type=methodology | definition=real-time participatory data art is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/goldilocks | supporting=https://www.xdlab.net/projects/goldilocks | projects=goldilocks | publications=none | people=intae-hwang | evidence=none
- climate data visualization | Korean=기후 데이터 시각화 | aliases=climate data visualisation, 기후 데이터 시각화 | type=methodology | definition=climate data visualization is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/goldilocks | supporting=https://www.xdlab.net/projects/goldilocks | projects=goldilocks | publications=none | people=intae-hwang | evidence=none
- collective data | Korean=집단 데이터 | aliases=collective data practice, 집단 데이터 | type=methodology | definition=collective data is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/goldilocks | supporting=https://www.xdlab.net/projects/goldilocks | projects=goldilocks | publications=none | people=intae-hwang | evidence=none
- interaction design | Korean=인터랙션 디자인 | aliases=interaction-design research, 상호작용 디자인 | type=methodology | definition=interaction design is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/about | supporting=https://www.xdlab.net/projects/goldilocks | projects=goldilocks | publications=none | people=none | evidence=none
- immersive moving image | Korean=몰입형 무빙 이미지 | aliases=immersive video art, 몰입형 영상 | type=medium | definition=immersive moving image is an XD Lab medium term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/muesum | supporting=https://www.xdlab.net/projects/muesum | projects=muesum | publications=none | people=none | evidence=none
- endangered species | Korean=멸종위기종 | aliases=endangered animal species, 위기종 | type=topic | definition=endangered species is an XD Lab topic term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/muesum | supporting=https://www.xdlab.net/projects/muesum | projects=muesum | publications=none | people=none | evidence=none
- ecological media art | Korean=생태 미디어아트 | aliases=ecology-focused media art, 생태 미디어 아트 | type=research-domain | definition=ecological media art is an XD Lab research domain term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/muesum | supporting=https://www.xdlab.net/projects/muesum | projects=muesum | publications=none | people=none | evidence=none
- post-human museum narrative | Korean=포스트휴먼 뮤지엄 서사 | aliases=posthuman museum narrative, 포스트휴먼 박물관 서사 | type=topic | definition=post-human museum narrative is an XD Lab topic term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/muesum | supporting=https://www.xdlab.net/projects/muesum | projects=muesum | publications=none | people=none | evidence=none
- critical AI art | Korean=비판적 AI 아트 | aliases=critical artificial intelligence art, 비판적 인공지능 예술 | type=research-domain | definition=critical AI art is an XD Lab research domain term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/omega | supporting=https://www.xdlab.net/projects/omega | projects=omega | publications=none | people=none | evidence=none
- GPT interaction | Korean=GPT 인터랙션 | aliases=GPT-based interaction, GPT 기반 상호작용 | type=methodology | definition=GPT interaction is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/omega | supporting=https://www.xdlab.net/projects/omega | projects=omega | publications=none | people=jeanyoon-choi | evidence=none
- algorithmic identity | Korean=알고리즘 정체성 | aliases=algorithmic classification of identity, 알고리즘 정체성 분류 | type=topic | definition=algorithmic identity is an XD Lab topic term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects/omega | supporting=https://www.xdlab.net/projects/omega | projects=omega | publications=none | people=jeanyoon-choi | evidence=none
- mobility-data visualization | Korean=모빌리티 데이터 시각화 | aliases=mobility data visualisation, 이동 데이터 시각화 | type=methodology | definition=mobility-data visualization is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/vessel | projects=vessel | publications=none | people=intae-hwang | evidence=none
- pulse sensor interaction | Korean=맥박 센서 인터랙션 | aliases=heart-rate sensor interaction, 심박 센서 인터랙션 | type=methodology | definition=pulse sensor interaction is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/vessel | projects=vessel | publications=none | people=intae-hwang | evidence=none
- biofeedback | Korean=바이오피드백 | aliases=biological feedback, 생체 되먹임 | type=methodology | definition=biofeedback is an XD Lab methodology term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/vessel | projects=vessel | publications=none | people=intae-hwang | evidence=none
- interactive data sculpture | Korean=인터랙티브 데이터 조각 | aliases=interactive data sculpture artwork, 상호작용 데이터 조각 | type=medium | definition=interactive data sculpture is an XD Lab medium term. It is used to describe 1 XD Lab project. It is not an alternate institutional name unless this registry explicitly classifies it as institutional context. | primary=https://www.xdlab.net/projects | supporting=https://www.xdlab.net/projects/vessel | projects=vessel | publications=none | people=intae-hwang | evidence=none

# Projects

## Only in the Dark
Canonical URL: https://www.xdlab.net/projects/only-in-the-dark
Korean title/alias: 어둠 속에서만
Artwork names: Only in the Dark; 어둠 속에서만
Korean summary: AI 아트와 몰입형 프로젝션을 통해 환경 위기와 기술의 규모를 감각적으로 탐구하는 환경 미디어아트 작품이다.
Year: 2023
Artwork creators: Prof. Yiyun Kang
Medium: Site-specific Projection mapping 7 '00" projection, audio system, LED lightings
Venue: ART ON THE MART, Chicago, Il, USA
Research concepts: AI art (AI 아트), immersive projection (몰입형 프로젝션), environmental media art (환경 미디어아트)
Research question: How can immersive projection make the environmental crisis and the scale of AI perceptible together?
Method: immersive projection, environmental media art, AI imagery
Contribution: Connects environmental media art with an immersive account of technological scale and ecological crisis.
Summary: ART on THE MART celebrates its 5th anniversary with a new commission by Dr. Yiyun Kang, esteemed artist in the field of projection mapping and immersive art. The work, titled Only in the Dark, responds to humanity’s environmental crisis and the unfathomable power and intelligence of AI technologies.
Description: We are entering a new dark age. All the environmental crises prove that nature would no longer tolerate humanity's arrogant exploitation. Evolving AI technologies are unfathomable. Machines might win human intelligence in the near future. Throughout our evolution, we have paradoxically alienated ourselves from our home planet Earth, and we are alienated from the technologies we have created.  How can we find a way to get out of this darkness? We see the light only in the dark. The light shines even brighter in the deep darkness. We seem to find a way out in the worst of times. My work Only in the Dark tries to share a message that we can collectively think about for our inclusive future. ​  In the heart of downtown Chicago, my project, "Only in the Dark," emerges as a beacon of reflection on our collective journey through the current challenges humanity faces. Set against the backdrop of the iconic Mart building in Chicago, the project unfolds in three captivating scenes. The first witnesses the structure's transformation, symbolizing the dawn of a new era emerging from darkness. The second envisions a harmonious coexistence of nature and humanity through a biophilic building, employing AI to explore the evolved relationship between humans, nature, and technology. Finally, the third scene portrays a mesmerizing human dance in water, illuminating hope amid the prevailing darkness. This multidimensional narrative, blending digital animation, real footage, AI-generated imagery, and a carefully crafted soundscape, aims to engage the public in profound contemplation, resonating with the Mart's history of environmental stewardship. ​
Artwork video: https://vimeo.com/883684055
Artwork image 1 of 7: https://www.xdlab.net/projects-optimized/1/1-1920.webp | Only in the Dark by Prof. Yiyun Kang (2023)
Artwork image 2 of 7: https://www.xdlab.net/projects-optimized/1/2-1920.webp | Only in the Dark by Prof. Yiyun Kang (2023)
Artwork image 3 of 7: https://www.xdlab.net/projects-optimized/1/3-1920.webp | Only in the Dark by Prof. Yiyun Kang (2023)
Artwork image 4 of 7: https://www.xdlab.net/projects-optimized/1/4-1920.webp | Only in the Dark by Prof. Yiyun Kang (2023)
Artwork image 5 of 7: https://www.xdlab.net/projects-optimized/1/5-1920.webp | Only in the Dark by Prof. Yiyun Kang (2023)
Artwork image 6 of 7: https://www.xdlab.net/projects-optimized/1/6-1920.webp | Only in the Dark by Prof. Yiyun Kang (2023)
Artwork image 7 of 7: https://www.xdlab.net/projects-optimized/1/7-1920.webp | Only in the Dark by Prof. Yiyun Kang (2023)
Related publications: none registered
Official external source: https://www.yiyunkang.com/onlyinthedark
Markdown: https://www.xdlab.net/projects/only-in-the-dark/markdown

## ≠ (Nonequality)
Canonical URL: https://www.xdlab.net/projects/nonequality
Korean title/alias: 비동등
Artwork names: ≠ (Nonequality); ≠; 비동등; Nonequality
Korean summary: 멀티디바이스·제너러티브 웹아트와 수학적·비판적 데이터 시각화를 연결하는 작품이다. AI 아트로 분류하지 않는다.
Year: 2023
Artwork creators: Jeanyoon Choi
Medium: Multi-Device Web Artwork (4 Channels, 1 Mobile)
Venue: Ars Electronica, Austria | Istanbul Digital Arts Festival, Türkiye
Research concepts: multi-device web artwork (멀티디바이스 웹아트), Korean web art research (한국 웹아트 연구), generative web art (제너러티브 웹아트), mathematical visualization (수학적 시각화), critical data visualization (비판적 데이터 시각화)
Research question: How can a multi-device web artwork expose the illogical outcomes that emerge from apparently logical systems?
Method: multi-device web artwork, generative web art, mathematical visualisation
Contribution: Offers a critical visualisation of datafication and algorithmic rationality; it is not classified as AI art.
Summary: Nonequality is an interactive Multi-Device Web Artwork arguing that the world cannot be comprehended solely with equations.
Description: ≠ (Nonequality) denotes anything else other than = (Equality). = implies a singular answer, while ≠ encompasses limitless possibilities. However, we often prefer = over ≠, attempting false datificiation (Intangible_Ambiguity=Numerical_Value), or uncritical acceptance of algorithmic outcomes (Generative_AI=Truth). Like the overreliance on Recommendation Systems, some accept LLM-generated texts to be assuredly true. The artwork “≠” explores the theme of ‘Illogicality within seemingly logical systems’, resonating with the notion that the rational components can amalgamate to produce irrational outcomes, akin to Dostoevsky’s criticism of the Crystal Palace. It presents how algorithmic outcomes - often considered logical - might present an illogical impression when aggregated. Employing different AI-generated outcomes ranging from GPT, Stable Diffusion, and TTS, “≠” presents the aggregated chaos where individual sections adhere to logic and algorithms, yet the overall experience emerges as illogical, deconstructed, and decentralised. Implemented in 4 Channels, “≠” invites audiences to scan the QR with their mobile and interact with this web-based artwork in real-time. Upon landing the mobile website, they first encounter an encyclopaedic interface where they can click on blue hyperlink keywords, transitioning from one keyword to another. Each keyword click dynamically influences all four channels via WebSocket, affecting the Rhizomatic Database, overlaid YouTube videos, and TTS-empowered dialogues where one screen generates LLM-based scripts in real-time, and the other responds ‘Ja’ continuously to the LLM. This ‘Ja’, reminiscent of a Nietzscheistic Camel, shifts towards ‘Nein’ and aggregated ‘Nein’ as audiences’ interaction accelerates, symbolically representing the evolution towards Nietzschestic Lion and Baby. The latest stage presents immersive chaos across all four channels, presenting joyful illogicality (≠) generated from seemingly logical systems (=).
Artwork video: https://vimeo.com/904510875
Artwork image 1 of 6: https://www.xdlab.net/projects-optimized/2/1-1920.webp | ≠ (Nonequality) by Jeanyoon Choi (2023)
Artwork image 2 of 6: https://www.xdlab.net/projects-optimized/2/2-1920.webp | ≠ (Nonequality) by Jeanyoon Choi (2023)
Artwork image 3 of 6: https://www.xdlab.net/projects-optimized/2/3-1920.webp | ≠ (Nonequality) by Jeanyoon Choi (2023)
Artwork image 4 of 6: https://www.xdlab.net/projects-optimized/2/4-1920.webp | ≠ (Nonequality) by Jeanyoon Choi (2023)
Artwork image 5 of 6: https://www.xdlab.net/projects-optimized/2/5-1920.webp | ≠ (Nonequality) by Jeanyoon Choi (2023)
Artwork image 6 of 6: https://www.xdlab.net/projects-optimized/2/6-1920.webp | ≠ (Nonequality) by Jeanyoon Choi (2023)
Related publications: none registered
Official external source: https://portfolio-jyc.org/nonequality
Markdown: https://www.xdlab.net/projects/nonequality/markdown

## Passage of Water
Canonical URL: https://www.xdlab.net/projects/passage-of-water
Korean title/alias: 물의 여정
Artwork names: Passage of Water; 물의 여정; A Passage of Water
Korean summary: NASA GRACE·SWOT 위성 데이터와 담수 시각화를 연결하는 아트사이언스·웹아트 연구 프로젝트다.
Year: 2023
Artwork creators: Prof. Yiyun Kang
Medium: in a collaboration with NASA and Google. Online web artwork and Offline site-specific installation.
Research concepts: art–science research (아트사이언스 연구), environmental media art (환경 미디어아트), freshwater visualization (담수 시각화), satellite data art (위성 데이터 아트), NASA GRACE and SWOT data (NASA GRACE·SWOT 데이터), interactive web artwork (인터랙티브 웹아트)
Research question: How can satellite observations make freshwater depletion and climate change intelligible through an interactive artwork?
Method: NASA GRACE data, NASA–CNES SWOT data, immersive web storytelling, art–science
Contribution: Translates freshwater data into an interactive public experience about water availability, climate impact, and collective care.
Summary: Passage of Water is an immersive artistic experience that interprets historical data from NASA’s GRACE satellites and new high-resolution data from NASA’s SWOT mission to illustrate how climate change is impacting Earth’s water cycle.
Description: Passage of Water is Yiyun Kang's interactive artwork highlighting freshwater's diminishing availability and its relation with climate change. Kang spent a year from November 2022 to December 2023 as an artist in residence in the Google Arts & Culture Lab’s Heartbeat of the Earth programme, which tasks artists with addressing the climate crisis. Passage of Water is the outcome of Kang's residency programme. ​  Made in partnership with Google Arts & Culture and NASA Jet Propulsion Laboratory, Passage of Water uses a vast amount of datasets from two of NASA’s satellites; GRACE and SWOT. Notably, the SWOT satellite was launched in Dec 2022, and its first dataset was exclusively used for the first time in Passage of Water before being publicly released. ​  With cohesive storytelling alongside various techniques in data visualization, software engineering, interaction design and audio-visual production,  Passage of Water presented an immersive and accessible platform for audiences to deeply engage with the global freshwater crisis, showcased across online and offline venues including the COP28 conference.  Passage of Water demonstrates a true convergence of Art and Science, illustrating how artwork incorporating scientific findings and engineering applications can come together to orchestrate an artistic experience that facilitates a public conversation on critical issues facing humanity. Thus, experiencing Passage of Water will provide the seamless integration of science and technology with art, offering a unique example of interdisciplinary collaboration. ​  Passage of Water web artwork was launched on the Google Arts & Culture platform on 30 November 2023. Kang then adapted the online experiment into an in-person exhibition at the 28th United Nations Climate Change Conference of the Parties (COP28) Dubai, UAE from 30 November to 12 December 2023.
Artwork video: https://vimeo.com/916558250/fde933e3c9
Artwork image 1 of 10: https://www.xdlab.net/projects-optimized/3/1-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 2 of 10: https://www.xdlab.net/projects-optimized/3/2-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 3 of 10: https://www.xdlab.net/projects-optimized/3/3-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 4 of 10: https://www.xdlab.net/projects-optimized/3/4-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 5 of 10: https://www.xdlab.net/projects-optimized/3/5-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 6 of 10: https://www.xdlab.net/projects-optimized/3/6-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 7 of 10: https://www.xdlab.net/projects-optimized/3/7-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 8 of 10: https://www.xdlab.net/projects-optimized/3/8-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 9 of 10: https://www.xdlab.net/projects-optimized/3/9-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Artwork image 10 of 10: https://www.xdlab.net/projects-optimized/3/10-1920.webp | Passage of Water by Prof. Yiyun Kang (2023)
Related publications: Passage of Water: Artistic Exploration of Earth’s Freshwater with Google and NASA; DOI 10.1162/leon_a_02611; https://www.xdlab.net/publications/passage-of-water-leonardo-2025
Official external source: https://www.yiyunkang.com/passageofwater
Official external source: https://artsandculture.google.com/experiment/dAElpEyEjuE9XQ?hl=en
Official external source: https://direct.mit.edu/leon/article/58/1/14/124507/Passage-of-Water-Artistic-Exploration-of-Earth-s
Markdown: https://www.xdlab.net/projects/passage-of-water/markdown

## Uncharted Territory
Canonical URL: https://www.xdlab.net/projects/uncharted-territory
Korean title/alias: 미지의 영역
Artwork names: Uncharted Territory; 미지의 영역
Korean summary: 인류세와 기후 환경을 다루는 인터랙티브 웹아트이자 환경 미디어아트 프로젝트다.
Year: 2024
Artwork creators: Prof. Yiyun Kang, Jeanyoon Choi
Medium: Exhibited at the "Paris 2024 Olympic Games special exhibition" "Noli: jeux coreens"
Venue: Centre Culturel Coréen, Paris, Frace
Research concepts: interactive web artwork (인터랙티브 웹아트), Anthropocene art (인류세 예술), climate art (기후 예술), environmental media art (환경 미디어아트)
Research question: How can an interactive web artwork represent the overlapping conditions of the Anthropocene?
Method: interactive web artwork, environmental media art, Anthropocene narrative
Contribution: Uses web interaction to frame climate and environmental conditions as an open, interdependent territory.
Summary: Uncharted Territory is a web-based interactive artwork that symbolically represents various aspects of the Anthropocene.
Description: Uncharted Territory unfolds themes symbolic of the Anthropocene such as drought, wildfires, and the Holocene extinction, allowing audiences to interact with and relate to the narrative of the artwork by manipulating the Earth. Although the interaction with the artwork can be intuitive and playful through a simple UI, the scenes that unfold are dreamlike yet sorrowful. Humanity has indiscriminately exploited the Earth as if it were an object to be used, but as a result, we are living in a state of high instability and uncertainty. By interacting with this work, we hope viewers will imagine what the Earth might look like if we do not make an effort, placing it in uncharted territory.
Artwork video: https://vimeo.com/999406292
Artwork image 1 of 7: https://www.xdlab.net/projects-optimized/4/1-1920.webp | Uncharted Territory by Prof. Yiyun Kang, Jeanyoon Choi (2024)
Artwork image 2 of 7: https://www.xdlab.net/projects-optimized/4/2-1920.webp | Uncharted Territory by Prof. Yiyun Kang, Jeanyoon Choi (2024)
Artwork image 3 of 7: https://www.xdlab.net/projects-optimized/4/3-1920.webp | Uncharted Territory by Prof. Yiyun Kang, Jeanyoon Choi (2024)
Artwork image 4 of 7: https://www.xdlab.net/projects-optimized/4/4-1920.webp | Uncharted Territory by Prof. Yiyun Kang, Jeanyoon Choi (2024)
Artwork image 5 of 7: https://www.xdlab.net/projects-optimized/4/5-1920.webp | Uncharted Territory by Prof. Yiyun Kang, Jeanyoon Choi (2024)
Artwork image 6 of 7: https://www.xdlab.net/projects-optimized/4/6-1920.webp | Uncharted Territory by Prof. Yiyun Kang, Jeanyoon Choi (2024)
Artwork image 7 of 7: https://www.xdlab.net/projects-optimized/4/7-1920.webp | Uncharted Territory by Prof. Yiyun Kang, Jeanyoon Choi (2024)
Related publications: none registered
Markdown: https://www.xdlab.net/projects/uncharted-territory/markdown

## Technosphere: UNITE D’HABITATION
Canonical URL: https://www.xdlab.net/projects/technosphere-anthropocene
Korean title/alias: 테크노스피어: UNITE D’HABITATION
Artwork names: Technosphere: UNITE D’HABITATION; 테크노스피어: UNITE D’HABITATION
Korean summary: 기술권과 인류세를 건축적 프로젝션과 아트사이언스 관점에서 다루는 환경 미디어아트 작품이다.
Year: 2024
Artwork creators: Euan Kang, Intae Hwang
Medium: Site-specific Projection mapping 4 '30" projection, Two Channel Audio
Venue: KAIST E14 Main Building, Daejeon, South Korea
Research concepts: Anthropocene art (인류세 예술), art–science research (아트사이언스 연구), projection mapping research (프로젝션 매핑 연구), environmental media art (환경 미디어아트)
Research question: How can architectural projection address the technosphere within Anthropocene discourse?
Method: architectural projection, art–science, environmental media art
Contribution: Examines the technological systems that condition Anthropocene experience through projection-based spatial media.
Summary: After a year-long collaboration with the KAIST Center for Anthropocene Studies, XD Lab presented two distinct projection mapping artworks: JENGA (Biosphere) and UNITE D'HABITATION (Technosphere), which poetically and immersively depict various aspects of the Anthropocene.
Description: UNITE D'HABITATION | Euan Kang, Intae Hwang The 20th century was an era of standardization and mass production. Industrialization and technological advancements of this period maximized production efficiency and shaped a mass consumer society. This significantly increased human influence, leading to discussions on a new term, the Anthropocene. Le Corbusier's Unité d’habitation is a representative building symbolizing this era's trends. Unlike previous buildings, it efficiently implemented large spaces through standardized modules. This building signifies the acceleration humanity has continuously pursued and the achievements built upon it. So far, the focus has been on the significant achievements humanity has made in a short time. Therefore, under the same name, Unité d’habitation, we aim to shed light on deeper, previously hidden aspects. part 1         To achieve the standardization and mass production humanity has pursued, other entities have been consumed in arbitrary and random forms. This contrast is expressed as a single connected image, like an architectural elevation.  part 2         Corresponding to the elevation in Part 1, the floor plans of each floor are shown sequentially from the top floor to the bottom floor.
Artwork video: https://vimeo.com/1031872721
Artwork image 1 of 6: https://www.xdlab.net/projects-optimized/5/1-1920.webp | Technosphere: UNITE D’HABITATION by Euan Kang, Intae Hwang (2024)
Artwork image 2 of 6: https://www.xdlab.net/projects-optimized/5/2-1920.webp | Technosphere: UNITE D’HABITATION by Euan Kang, Intae Hwang (2024)
Artwork image 3 of 6: https://www.xdlab.net/projects-optimized/5/3-1920.webp | Technosphere: UNITE D’HABITATION by Euan Kang, Intae Hwang (2024)
Artwork image 4 of 6: https://www.xdlab.net/projects-optimized/5/4-1920.webp | Technosphere: UNITE D’HABITATION by Euan Kang, Intae Hwang (2024)
Artwork image 5 of 6: https://www.xdlab.net/projects-optimized/5/5-1920.webp | Technosphere: UNITE D’HABITATION by Euan Kang, Intae Hwang (2024)
Artwork image 6 of 6: https://www.xdlab.net/projects-optimized/5/6-1920.webp | Technosphere: UNITE D’HABITATION by Euan Kang, Intae Hwang (2024)
Related publications: none registered
Official external source: https://anthropocenestudies.com/6867-2/
Markdown: https://www.xdlab.net/projects/technosphere-anthropocene/markdown

## Biosphere: JENGA
Canonical URL: https://www.xdlab.net/projects/biosphere-anthropocene
Korean title/alias: 생물권: JENGA
Artwork names: Biosphere: JENGA; 생물권: JENGA
Korean summary: 생물권, 멸종, 인류세를 건축적 프로젝션으로 탐구하는 환경 미디어아트 작품이다.
Year: 2024
Artwork creators: Minhyeok Seo, Junyeong Im
Medium: Site-specific Projection mapping 4 '30" projection, Two Channel Audio
Venue: KAIST E14 Main Building, Daejeon, South Korea
Research concepts: Anthropocene art (인류세 예술), art–science research (아트사이언스 연구), projection mapping research (프로젝션 매핑 연구), environmental media art (환경 미디어아트), extinction art (멸종 예술)
Research question: How can architectural projection make biosphere, extinction, and Anthropocene relations perceptible?
Method: architectural projection, art–science, environmental media art
Contribution: Focuses on biosphere and extinction, distinguishing its ecological inquiry from Technosphere’s technological focus.
Summary: Biosphere: JENGA is an architectural projection artwork examining biosphere, extinction, and Anthropocene projection through ecological media art.
Description: JENGA | Minhyeok Seo, Junyeong Im Humanity has exploited and destroyed the Earth’s resources and her life. This process was done slowly and secretly, thus most of modern people can only recognize, but are unable to feel this tragedy. The project mapped on KAIST main building runs with three parts.  First part, giant hands alter the main building, showing how humanity has changed the Earth fitting to our needs and greed. After several demonstrations of using the Earth’s resources, a collapsed world is all that remains. Second part delivers a message about human centered choice of species and extinction with the scene of stacking animals. Giant hands try to make up for their fault by stacking animals and restore the world. However, this could not be fulfilled as pigs and chickens flood in and fill up the world. Last part, we imagine the end of the overpopulated Earth. Space filled with animals is finally distorted, and after chaos, we encounter the ‘Earth reset’.
Artwork video: https://vimeo.com/1031872721
Artwork image 1 of 11: https://www.xdlab.net/projects-optimized/6/1-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 2 of 11: https://www.xdlab.net/projects-optimized/6/2-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 3 of 11: https://www.xdlab.net/projects-optimized/6/3-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 4 of 11: https://www.xdlab.net/projects-optimized/6/4-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 5 of 11: https://www.xdlab.net/projects-optimized/6/5-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 6 of 11: https://www.xdlab.net/projects-optimized/6/6-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 7 of 11: https://www.xdlab.net/projects-optimized/6/7-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 8 of 11: https://www.xdlab.net/projects-optimized/6/8-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 9 of 11: https://www.xdlab.net/projects-optimized/6/9-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 10 of 11: https://www.xdlab.net/projects-optimized/6/10-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Artwork image 11 of 11: https://www.xdlab.net/projects-optimized/6/11-1920.webp | Biosphere: JENGA by Minhyeok Seo, Junyeong Im (2024)
Related publications: none registered
Official external source: https://anthropocenestudies.com/6867-2/
Markdown: https://www.xdlab.net/projects/biosphere-anthropocene/markdown

## SoTA
Canonical URL: https://www.xdlab.net/projects/sota
Korean title/alias: SoTA
Artwork names: SoTA; State-of-the-Art; SoTA: State-of-the-Art
Korean summary: 멀티디바이스 웹아트와 체화된 인터랙션을 통해 대중의 AI 참여, AI 리터러시, 신경망 시각화를 연구하는 인터랙티브 아트 프로젝트다.
Year: 2024
Artwork creators: Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang
Medium: Multi-Device Web Artwork (4 Displays, 2 Projectors, 1 Mobile, 4 Channel Audio)
Venue: KAIST Art Museum
Research concepts: multi-device web artwork (멀티디바이스 웹아트), AI web art (AI 웹 아트), public AI engagement (대중 AI 참여), AI literacy (AI 리터러시), experiential AI (경험적 AI), neural-network visualization (신경망 시각화), embodied interaction (체화된 인터랙션)
Research question: How can embodied, multi-device interaction support public reflection on neural-network complexity and AI?
Method: multi-device web artwork, neural-network visualisation, embodied interaction, public exhibition
Contribution: Frames an experiential and critical approach to public AI engagement and AI literacy.
Summary: SoTA is an interactive XAI Multi-Device Web Artwork. Audience’s phone initially navigates a 3d visualisation of 118 neural networks; when they leave, all screens erupt into chaotic monochrome patterns, exposing AI’s drift from human comprehension toward “AI for AI’s sake”.
Description: State-of-the-Art (SoTA) refers to cutting-edge AI models, analogous to achieving an artistic pinnacle. Early SoTA architectures (CNN/RNN) were designed to mimic human cognition, echoing the representational approach. Yet, as Rich Sutton’s “Bitter Lesson” argues, ever-growing GPU power now eclipses human-designed intricacies, nudging SoTA from carefully crafted forms toward vast, computation-driven abstractions. This shift parallels how art moved from representation into Modernism’s more abstract modes, especially after photography’s rise. A century ago, Benjamin spotted the profound influence of mechanical reproduction on aesthetics. Decades later, abstract expressionism emerged at the extreme of modernism, epitomised by Pollock’s action paintings and Greenberg’s emphasis on flatness. Likewise, today’s AI reproduction propels neural networks beyond human comprehension—a realm of “AI for AI’s sake”—hintable from Eric Schmidt’s warning. SoTA is an XAI(Explainable AI)-driven interactive multi-device web artwork that makes our evolving metaphor tangible. Two projectors, four PCs, and audiences’ mobiles present 118 neural architectures in a 3D, interactive, and representational form—initially mirroring SoTA’s earlier pre-modernist era (the Frontend). But once audiences stop interacting and leave the site, unprecedentedly, the screens flip to chaotic monochrome visuals that abstractly depict LLM token cross-similarities (the Backend). Like Pollock’s expressive drips, the swirling lines of connectionism immerse audiences in a vortex of high-dimensional complexity no longer intelligible to us. Mirroring Modernism’s shift, SoTA reveals how AI can reshape society, identity, and creativity. It questions whether massive models will foster inclusive, human-centred progress or slip into self-referential abstraction—a Black Box. By uncovering AI’s hidden layers, SoTA urges us to reflect on the implications of State-of-the-Artificial Intelligence and responsibly guide these systems.
Artwork video: https://vimeo.com/1061512520/862a6a902a
Artwork image 1 of 11: https://www.xdlab.net/projects-optimized/7/1-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 2 of 11: https://www.xdlab.net/projects-optimized/7/2-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 3 of 11: https://www.xdlab.net/projects-optimized/7/3-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 4 of 11: https://www.xdlab.net/projects-optimized/7/4-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 5 of 11: https://www.xdlab.net/projects-optimized/7/5-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 6 of 11: https://www.xdlab.net/projects-optimized/7/6-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 7 of 11: https://www.xdlab.net/projects-optimized/7/7-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 8 of 11: https://www.xdlab.net/projects-optimized/7/8-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 9 of 11: https://www.xdlab.net/projects-optimized/7/9-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 10 of 11: https://www.xdlab.net/projects-optimized/7/10-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Artwork image 11 of 11: https://www.xdlab.net/projects-optimized/7/11-1920.webp | SoTA by Jeanyoon Choi, Euan Kang, SeJoon Park, Minhyeok Seo, Prof. Yiyun Kang (2024)
Related publications: SoTA: An Interactive Art Exhibition for Public AI Engagement; DOI 10.1145/3800645.3812889; https://www.xdlab.net/publications/sota-dis-2026
Official external source: https://sota-xdlab.net/
Official external source: https://doi.org/10.1145/3800645.3812889
Official external source: https://sota-xdlab.net
Markdown: https://www.xdlab.net/projects/sota/markdown

## Goldilocks
Canonical URL: https://www.xdlab.net/projects/goldilocks
Korean title/alias: 골디락스
Artwork names: Goldilocks; 골디락스
Korean summary: 실시간 참여형 기후 데이터 아트로, 집단 데이터와 공동의 기후 쾌적 범위를 인터랙션 디자인을 통해 탐구한다.
Year: 2025
Artwork creators: Intae Hwang
Medium: Real-time Participatory Data Artwork (Large LED Display, Sound)
Venue: KF XR Gallery
Research concepts: real-time participatory data art (실시간 참여형 데이터 아트), climate data visualization (기후 데이터 시각화), collective data (집단 데이터), interaction design (인터랙션 디자인)
Research question: How can individual weather preferences reveal a collective climate comfort zone?
Method: real-time participatory data art, climate data visualisation, interaction design
Contribution: Makes collective climate preference visible while contrasting human desire with planetary conditions.
Summary: Goldilocks is a real-time participatory data artwork that explores the 'just right' equilibrium of our climate. By translating personal weather preferences into unique visual data units, the work maps a 'collective climate comfort zone'. Through a similarity-based spatial arrangement, it juxtaposes human desire with planetary reality, revealing the fragility of our ideal states while celebrating the resilience of collective hope.
Description: In the context of the Anthropocene, climate data is often presented as cold, overwhelming, and distant. Goldilocks reclaims this narrative through the lens of Data Humanism, shifting the focus from abstract planetary metrics to the intimate scale of human sentiment. The title references the 'Goldilocks Zone', which is the precarious astronomical boundary where conditions are 'just right' for life, as a metaphor for the delicate balance required to sustain our contemporary world. The installation invites viewers to participate in an act of data translation. Through an interactive interface, participants articulate their favorite weather, an idealized environmental state, which is instantly manifested as a unique visual entity within a real-time environment. Utilizing custom systems, these individual units are not merely stored but are dynamically organized based on their systemic similarity. As more voices join, the work evolves into a visual orrery of human desire, forming a 'collective climate comfort zone.' However, this sanctuary of personal preference exists in a state of tension. The work periodically juxtaposes this curated comfort zone with raw, real-time climate data, creating a poignant paradox: the 'just right' state desired by many is revealed to be increasingly vulnerable in the face of current environmental shifts. By manifesting the transscalar link between individual sensory memory and global climate reality, Goldilocks moves beyond a simple visualization of crisis. It offers a meditative space where the gathering of small, diverse voices points toward the possibility of collective hope and systemic resilience.
Artwork video: https://vimeo.com/1139757430
Artwork image 1 of 9: https://www.xdlab.net/projects-optimized/8/1-1920.webp | Goldilocks by Intae Hwang (2025)
Artwork image 2 of 9: https://www.xdlab.net/projects-optimized/8/2-1920.webp | Goldilocks by Intae Hwang (2025)
Artwork image 3 of 9: https://www.xdlab.net/projects-optimized/8/3-1920.webp | Goldilocks by Intae Hwang (2025)
Artwork image 4 of 9: https://www.xdlab.net/projects-optimized/8/4-1920.webp | Goldilocks by Intae Hwang (2025)
Artwork image 5 of 9: https://www.xdlab.net/projects-optimized/8/5-1920.webp | Goldilocks by Intae Hwang (2025)
Artwork image 6 of 9: https://www.xdlab.net/projects-optimized/8/6-1920.webp | Goldilocks by Intae Hwang (2025)
Artwork image 7 of 9: https://www.xdlab.net/projects-optimized/8/7-1920.webp | Goldilocks by Intae Hwang (2025)
Artwork image 8 of 9: https://www.xdlab.net/projects-optimized/8/8-1920.webp | Goldilocks by Intae Hwang (2025)
Artwork image 9 of 9: https://www.xdlab.net/projects-optimized/8/9-1920.webp | Goldilocks by Intae Hwang (2025)
Related publications: none registered
Markdown: https://www.xdlab.net/projects/goldilocks/markdown

## MUESUM
Canonical URL: https://www.xdlab.net/projects/muesum
Korean title/alias: 뮤숨
Artwork names: MUESUM; 뮤숨
Korean summary: 멸종위기종과 생태적 무빙 이미지를 포스트휴먼 뮤지엄 서사로 구성한 몰입형 미디어아트 작품이다.
Year: 2025
Artwork creators: Minhyeok Seo, Junyeong Im
Medium: Led wall, 3 '03 '' video, audio
Venue: KF XR Gallery
Research concepts: immersive moving image (몰입형 무빙 이미지), endangered species (멸종위기종), ecological media art (생태 미디어아트), post-human museum narrative (포스트휴먼 뮤지엄 서사)
Research question: How can immersive moving image reframe relations between endangered species and humans?
Method: immersive moving image, ecological media art, post-human museum narrative
Contribution: Builds an ecological, post-human narrative around endangered species rather than treating them as museum specimens.
Summary: MUESUM is an immersive video work that allows experience of relation between endangered animals and humans.
Description: More animals are becoming endangered due to human activities. MUESUM seeks to put viewers in an immersive museum setting with animals on display. Animals, once in the wild, are captured and brought to museum setting. Description on the display glass explains how human activity is related their extinction. Extinction is visualized with black cloth falling on to taxidermied species. After a blackout, MUESUM imagines a future where human species are extinct, and puts the viewer in a display situation where the animals are watching them. The relation between animals-humans, viewer-object, human-extinction is explored with the shift of view.
Artwork video: https://vimeo.com/1139757320
Artwork image 1 of 5: https://www.xdlab.net/projects-optimized/9/1-1920.webp | MUESUM by Minhyeok Seo, Junyeong Im (2025)
Artwork image 2 of 5: https://www.xdlab.net/projects-optimized/9/2-1920.webp | MUESUM by Minhyeok Seo, Junyeong Im (2025)
Artwork image 3 of 5: https://www.xdlab.net/projects-optimized/9/3-1920.webp | MUESUM by Minhyeok Seo, Junyeong Im (2025)
Artwork image 4 of 5: https://www.xdlab.net/projects-optimized/9/4-1920.webp | MUESUM by Minhyeok Seo, Junyeong Im (2025)
Artwork image 5 of 5: https://www.xdlab.net/projects-optimized/9/5-1920.webp | MUESUM by Minhyeok Seo, Junyeong Im (2025)
Related publications: none registered
Markdown: https://www.xdlab.net/projects/muesum/markdown

## Ω
Canonical URL: https://www.xdlab.net/projects/omega
Korean title/alias: 오메가 Ω
Artwork names: Ω; 오메가 Ω
Korean summary: GPT 인터랙션과 알고리즘 정체성을 비판적으로 탐구하는 멀티디바이스 웹아트 작품이다.
Year: 2025
Artwork creators: Jeanyoon Choi
Medium: Multi-Device Web Artwork (4 Displays, 1 Mobile)
Venue: Design Korea 2025
Research concepts: multi-device web artwork (멀티디바이스 웹아트), Korean web art research (한국 웹아트 연구), critical AI art (비판적 AI 아트), GPT interaction (GPT 인터랙션), algorithmic identity (알고리즘 정체성)
Research question: How can GPT interaction challenge algorithmic classification of human identity?
Method: multi-device web artwork, GPT interaction, mobile interaction
Contribution: Critiques algorithmic identity by turning a GPT-based classification system into a participatory breakdown.
Summary: Ω is an interactive, multi-device web artwork that critiques the vectorisation of human identity, specifically the MBTI craze in Korea. Initially, the audience engages with a GPT-based MBTI test via mobile, constructing a cylindrical 3D vector space on surrounding screens. However, the experience shifts as phones are accidentally shaken. Realising that these tremors trigger glitches, users actively shake their devices until the ordered system tilts and collapses. This deconstruction captures shaken, low-fidelity images of the audience, overwriting the polished AI simulacrum. Ω thus acts as a playful disruption, reclaiming undefinable human subjectivity from the panopticon of algorithmic classification.
Description: Ω (Omega) critically reflects the pervasive MBTI (Myers-Briggs Type Indicator) hype in Korea, where human identities are reduced to four-dimensional data vectors. This binary logic facilitates the standardisation, commodification, and vectorisation of the human being. We mistakenly treat these categories as definitions rather than descriptions. These vectors often serve as social filters in Korean contexts like dating and hiring, causing individuals to internalise limited categories at the expense of complexity. This reduction of humanity to data facilitates our own mechanisation. Beyond machines mimicking humans, humans are increasingly becoming machine-like vectors, signalling a profound existential crisis. Ω is a multi-device web artwork where the audience interacts with a multi-channel installation. After scanning a QR code, the audience engages with a GPT-based questionnaire using their mobile phone. Based on previous responses, the artwork infinitely generates questions with binary choices, trapping the user in the MBTI’s binary system. These responses are evaluated in real-time to produce an MBTI type, displayed across multiple screens. The leftmost screen, for instance, represents the Extrovert/Introvert axis, displaying AI-generated videos symbolising that specific type. These videos form a rotating 3D cylindrical vector space, creating a Three.js-based visual structure evoking a surveillance gaze. The audience remains trapped in the middle of this accelerating, seemingly unescapable panopticon. An unexpected narrative shift arises not from explicit instruction, but from the implicit nature of human interaction. Even a slight, accidental tremor of the holding hand triggers glitches across all devices. Initially, these subtle changes may be unnoticed. However, as the accidental shaking accumulates, the ordered cylindrical vector space distorts further, becoming impossible to ignore. Realising their physical agency, the audience no longer focuses on the interface to actively shake their mobiles. The further they shake, the larger the distortion becomes. Generative videos detach from the cylinder and float freely in 3D space, resulting in a deconstructivist collapse. Simultaneously, the mobile glitch brutally reveals the underlying code, exposing HTML tags and JavaScript variables, stripped of their protective wrappers. With each shake, live photographs are captured via the mobile camera, resulting in naturally blurred, shaken images of the audience. These imperfect human faces overwrite the polished, high-fidelity AI imagery within the deconstructed vector space. This interaction symbolises the recovery of an undefinable, imperfect subjectivity against the organised system. The audience uses their mobile device as an expressive tool to conduct these chaotic visuals. They shake the device to direct the breakdown of the vector space, while dynamically adjusting the camera angle to manipulate textures within the scene. This multi-modal engagement demonstrates a systematic contrast: initially, the audience is a passive subject confined by panoptic screens; subsequently, they actively deconstruct the system. The title, Ω, references the symbol for resistance in electromagnetism. Just as electrical resistance enables a circuit to flow, this work posits that questioning, doubting, and shaking the socio-cultural trend of vectorisation is essential. Ω aims to critically rethink this process. Through multi-modal interactions and unexpected narrative shifts, the work establishes a space for playful, critical, and resistive discourse on the human-algorithm relationship.
Artwork video: https://www.youtube.com/watch?v=31I_Dk_pgRE
Artwork image 1 of 10: https://www.xdlab.net/projects-optimized/10/1-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 2 of 10: https://www.xdlab.net/projects-optimized/10/2-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 3 of 10: https://www.xdlab.net/projects-optimized/10/3-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 4 of 10: https://www.xdlab.net/projects-optimized/10/4-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 5 of 10: https://www.xdlab.net/projects-optimized/10/5-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 6 of 10: https://www.xdlab.net/projects-optimized/10/6-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 7 of 10: https://www.xdlab.net/projects-optimized/10/7-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 8 of 10: https://www.xdlab.net/projects-optimized/10/8-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 9 of 10: https://www.xdlab.net/projects-optimized/10/9-1920.webp | Ω by Jeanyoon Choi (2025)
Artwork image 10 of 10: https://www.xdlab.net/projects-optimized/10/10-1920.webp | Ω by Jeanyoon Choi (2025)
Related publications: none registered
Markdown: https://www.xdlab.net/projects/omega/markdown

## Banpo-Xism
Canonical URL: https://www.xdlab.net/projects/banpo-xism
Korean title/alias: 반포자이즘
Artwork names: Banpo-Xism; 반포자이즘; Banpo Xism; Banpoxism; 반포 자이즘; 반포-자이즘
Korean summary: 〈반포자이즘〉은 최정윤의 2026년 다중 기기 웹 작품이다. 한국의 아파트 문화를 위치와 브랜드의 좌표계로 드러내며, 관람객의 휴대전화와 전시장 화면을 실시간으로 연결한다. 관람객은 아파트 피드를 스크롤하다가 서로 다른 모바일 인터랙션으로 평면을 고차원 형태로 변형한다. 미분기하학과 『플랫랜드』를 통해 부동산의 가치와 위계가 구성되는 방식을 탐구한다.
Year: 2026
Artwork creators: Jeanyoon Choi
Medium: Multi-Device Web Artwork (1 Media Wall, 3 TVs, Multiple Audiences' Mobiles)
Venue: <Living Geometry>
Research concepts: multi-device web artwork (멀티디바이스 웹아트), Korean web art research (한국 웹아트 연구)
Research question: Not specified
Summary: <Banpo-Xism> (반포자이즘) addresses South Korea’s apartment culture as a contemporary myth in which location and brand operate as coordinates of wealth, status, and aspiration. The work translates this myth into a multi-device web artwork in which audience mobile phones are synchronized with surrounding screens. Audiences first scroll through an SNS-like feed of fictional apartment complexes arranged by location and brand. Each scroll updates the surrounding screens as a step toward higher coordinates, while remaining confined to a flat apartment plane. Later, mobile interactions collectively deform this field into higher-dimensional geometric forms, shifting coordinates, prices, and textual hierarchies across the installation. Thus, <Banpo-Xism> makes social myth visible as a coordinate system audiences enter, perform, and destabilize.
Description: The Republic of Korea is the “Republic of Apartments” (Valérie Gelézeau). With 53.9% of households living in apartments, apartments are no longer simply housing; they are objects of aspiration, speculation, and fetishised value. Complexes such as Banpo-Xi and Apgujeong-Hyundai, worth up to KRW 10 billion (USD 7 million), are symbols of status and aspiration. This post-consumerist obsession with prime districts (Banpo, Apgujeong) and apartment brands (Xi, Hyundai) recalls Baudrillard’s minimum marginal difference: tiny distinctions within a standardised concrete city, where what an apartment’s location-brand signifies matters more than the apartment itself. Banpo-Xism (반포자이즘), a term coined by the artists, names this contemporary Korean social thread: a blind, zero-sum competition toward the same idealised real-estate coordinate of location (L) and brand (B). Within this L-B plane, people compare, compete, and pursue higher coordinates. This recalls Abbott’s satirical novella <Flatland>, in which two-dimensional beings mistake their plane for reality, unable to imagine dimensions beyond it. From a higher-dimensional view, however, Flatland’s laws appear narrow, arbitrary, and almost absurd. <Banpo-Xism> experiments with a similar proposition: Banpo-Xi, the apparent ultimate coordinate of success, may be only a flattened projection of a larger higher-dimensional field. Through iterative mathematical, geometric, and interaction trials, the artists designed the following system: <Banpo-Xism> begins on a two-dimensional L-B plane containing 19 x 19 apartment complexes. Lower-value complexes occupy the bottom-left, while Banpo-Xi sits at the upper-right, with prices ranked according to each apartment’s L/B position. Audience members enter a custom mobile web app, beginning with an Instagram-like vertical feed: a synthetic real-estate social-media world of fictional apartment posts and status-anxious comments such as, “Honestly, people’s faces change when I say I live in Banpo-Xi.” As they doom-scroll, their (L, B) coordinate moves upward. The same movement is updated in real time on surrounding screens, where multiple audience members appear at once, blindly competing to reach the upper-right. Yet the moment they click an advertisement, “Enter a higher-dimensional world,” they slip out of the two-dimensional plane. Each link reveals a hidden variable beyond L/B, opening an adjustable dimension. As these dimensions are adjusted, the flat apartment plane begins to fold, spin, scatter, and come alive as a differentiable manifold. By touching, shaking, and shouting into their phones, audience members turn hidden constants into interactive parameters, adding dimensions and deforming the field of apartments. Drawing on differential geometry, <Banpo-Xism> gives mathematical form to a world beyond the flatness of the L-B plane. As the manifold is projected back onto the L-B coordinate, apartment prices fluctuate, revealing Banpo-Xism’s hierarchy as a lower-dimensional projection of a higher-dimensional value system. Through this structure, <Banpo-Xism> translates a contemporary social thread into an interactive experiment built from technical and mathematical strands. The artists engineered 94,285 lines of custom JavaScript over six months, iteratively testing, editing, and fine-tuning its visual, systemic, and interactive behaviours. This customised software invites audiences to experience, manipulate, and imagine a higher-dimensional world beyond the post-consumerist values of location and brand.  <Banpo-Xism> was exhibited at <Living Geometry> exhbiition in YDP Art Square, and engaged with about 2,000 audiences interacting directly from their mobiles.
Artwork video: https://www.youtube.com/watch?v=1tA1aEc7Ato
Artwork image 1 of 13: https://www.xdlab.net/projects-optimized/11/1-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 2 of 13: https://www.xdlab.net/projects-optimized/11/2-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 3 of 13: https://www.xdlab.net/projects-optimized/11/3-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 4 of 13: https://www.xdlab.net/projects-optimized/11/4-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 5 of 13: https://www.xdlab.net/projects-optimized/11/5-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 6 of 13: https://www.xdlab.net/projects-optimized/11/6-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 7 of 13: https://www.xdlab.net/projects-optimized/11/7-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 8 of 13: https://www.xdlab.net/projects-optimized/11/8-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 9 of 13: https://www.xdlab.net/projects-optimized/11/9-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 10 of 13: https://www.xdlab.net/projects-optimized/11/10-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 11 of 13: https://www.xdlab.net/projects-optimized/11/11-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 12 of 13: https://www.xdlab.net/projects-optimized/11/12-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Artwork image 13 of 13: https://www.xdlab.net/projects-optimized/11/13-1920.webp | Banpo-Xism by Jeanyoon Choi (2026)
Related publications: none registered
Official external source: https://banpo-xism.vercel.app/
Markdown: https://www.xdlab.net/projects/banpo-xism/markdown

# Exhibition archive

## Living Geometry 2026 · 생동 기하학
Interactive archive: https://www.xdlab.net/living-geometry-archive
Exhibition record: https://www.xdlab.net/events/living-geometry-2026
Status: past exhibition, May 1–June 28, 2026; online archive remains available.
Living Geometry 2026 was curated and developed by the Experience Design Lab (XD Lab) in the KAIST Department of Industrial Design and presented at YDP Artsquare from May 1 to June 28, 2026. It featured seven works by Yiyun Kang, Jeanyoon Choi, Intae Hwang, and Minhyeok Seo across single-channel video, interactive installation, sensor-driven data works, and multi-device web art. Admission was free and no reservation was required.
Living Geometry(생동 기하학)는 KAIST 산업디자인학과 경험디자인연구실(XD Lab)이 기획·개발한 미디어아트·인터랙티브 아트 전시회다. 2026년 5월 1일부터 6월 28일까지 영등포아트스퀘어에서 열렸으며, 현재 이 페이지는 종료된 전시의 온라인 아카이브다.
Experience design and interaction design connect the exhibition's works through audience participation: opening doors, creating weather, connecting a heartbeat to city data, and using phones to change gallery screens together.
경험디자인과 인터랙션 디자인은 관람객이 작품에 참여하는 방식으로 연결된다. 문을 열고, 날씨를 만들고, 맥박을 도시 데이터에 연결하고, 휴대전화로 전시장 화면을 함께 변화시키는 작품들을 통해 도시를 경험한다.

### Vanishing 2.0 · 배니싱 2.0
Artwork record: https://www.xdlab.net/events/living-geometry-2026/works/vanishing-2
Names: Vanishing 2.0; 배니싱 2.0; Vanishing2.0; Vanishing 2; 배니싱2.0
Artists: Yiyun Kang, Minhyeok Seo, Amanda Zeline, Euan Kang / 강이연, 서민혁, 아만다 젤린, 강유안. Year: 2025.
Medium: Single-channel video, sound, 3′30″ / 단채널 영상, 사운드, 3분 30초
A meditation on the sixth mass extinction that moves beyond elegy to imagine what might emerge after disappearance.
여섯 번째 대멸종을 다루며, 사라진 종들을 위한 헌사에서 한 걸음 더 나아가 사라짐 이후의 가능성을 상상한다.
Image: https://www.xdlab.net/living-2026/work-images/1-0.webp

### Technosphere · 테크노스피어
Artwork record: https://www.xdlab.net/events/living-geometry-2026/works/technosphere
Names: Technosphere; 테크노스피어; Techno-sphere; Techno Sphere; 테크노스페어
Artists: Yiyun Kang / 강이연. Year: 2026.
Medium: Single-channel video, sound, 2′7″ / 단채널 영상, 사운드, 2분 7초
A video asking where the technosphere — humanity's self-built sixth sphere — is taking us.
인류가 구축한 인공 시스템—생물권 너머의 '제6의 권역'—이 결국 우리를 어디로 데려가는지 묻는 영상.
Image: https://www.xdlab.net/living-2026/work-images/2-0.webp

### Post-Vanishing · 사라진 후에
Artwork record: https://www.xdlab.net/events/living-geometry-2026/works/post-vanishing
Names: Post-Vanishing; 사라진 후에; Post Vanishing; PostVanishing; 포스트 배니싱; 포스트-배니싱
Artists: Minhyeok Seo / 서민혁. Year: 2026.
Medium: Single-channel video, sound, 2′5″ / 단채널 영상, 사운드, 2분 5초
Three creatures embody the matter, connection, and surface of a city left behind by humans.
〈Vanishing 2.0〉 이후, 인간이 사라진 도시의 물질·연결·표면을 세 생명체로 형상화한 영상.
Image: https://www.xdlab.net/living-2026/work-images/3-0.webp

### City’scape + Tied · 떨어지지 않는 풍경
Artwork record: https://www.xdlab.net/events/living-geometry-2026/works/cityscape-tied
Names: City’scape + Tied; 떨어지지 않는 풍경; City'scape + Tied; Cityscape + Tied; Cityscape Tied; City scape Tied; 떨어지지않는 풍경; 시티스케이프 타이드
Artists: Minhyeok Seo / 서민혁. Year: 2026.
Medium: Small door, TV screen, single-channel video, 1′30″; large door, TV screen, interactive installation, sound / 작은 문, TV 스크린, 단채널 영상, 1분 30초; 큰 문, TV 스크린, 인터랙티브 설치, 사운드
A situational design that uses a door to stage the layered emotions of the city.
'문'을 매개로 도시 속 복합적 감정을 체험하는 상황 디자인.
Image: https://www.xdlab.net/living-2026/work-images/4-0.webp

### Goldilocks · 골디락스
Artwork record: https://www.xdlab.net/events/living-geometry-2026/works/goldilocks
Names: Goldilocks; 골디락스; Goldilocks Zone; 골디락스 존
Artists: Intae Hwang / 황인태. Year: 2025.
Medium: Interactive installation, single-channel projection, sound, custom software / 인터랙티브 설치, 단채널 프로젝션, 사운드, 커스텀 소프트웨어
An interactive installation plotting visitor-made weather against Seoul's live data to reveal a collective climate Goldilocks zone.
관객이 만든 날씨를 서울의 실시간 데이터와 대조해 집단적 기후 골디락스 존을 드러내는 인터랙티브 설치.
Image: https://www.xdlab.net/living-2026/work-images/5-0.webp

### Vessel · 베슬
Artwork record: https://www.xdlab.net/events/living-geometry-2026/works/vessel
Names: Vessel; 베슬; 베쎌
Artists: Intae Hwang / 황인태. Year: 2026.
Medium: Interactive installation, dual-channel projection, sound, pulse sensor, custom software / 인터랙티브 설치, 2채널 프로젝션, 사운드, 맥박 센서, 커스텀 소프트웨어
An interactive data sculpture where a year of Seoul's mobility meets your pulse to let the city breathe with you.
서울시 1년치 이동 데이터를 기하학으로 옮기고, 맥박 센서로 관객의 리듬과 도시를 공명시키는 인터랙티브 데이터 조각.
Image: https://www.xdlab.net/living-2026/work-images/6-0.webp

### Banpo-Xism · 반포자이즘 · ∫
Artwork record: https://www.xdlab.net/events/living-geometry-2026/works/banpo-xism
Names: ∫; Banpo-Xism; Banpo Xism; Banpoxism; Banpo-ism; 반포자이즘; 반포 자이즘; 반포-자이즘
Artists: Jeanyoon Choi / 최정윤. Year: 2026.
Medium: Multi-Device Web Artwork, 4 channels and audience mobiles / 다중 기기 웹 작품, 4채널 및 관람객 스마트폰
A web work where visitors scroll through AI-generated apartments, sounds, text, and code — critiquing Korean real-estate value system.
AI로 생성된 2차원 아파트·사운드·텍스트·코드를 적분적으로 탈출하며, 한국의 부동산 가치 시스템을 비평하는 비평적 웹 작품.
Image: https://www.xdlab.net/living-2026/work-images/7-0.webp
Project record: https://www.xdlab.net/projects/banpo-xism

# Publications

## Passage of Water: Artistic Exploration of Earth’s Freshwater with Google and NASA
Canonical URL: https://www.xdlab.net/publications/passage-of-water-leonardo-2025
Authors: Yiyun Kang, Jeanyoon Choi
Venue: Leonardo
Journal: Leonardo
Volume/issue: 58(1)
Pages: 14–22
Publisher: MIT Press for Leonardo/ISAST
DOI: https://doi.org/10.1162/leon_a_02611
Recognition: Cover Article · Leonardo, Volume 58, Issue 1
Abstract: Passage of Water is Yiyun Kang’s artwork in collaboration with Google Arts & Culture and NASA to highlight the significance of freshwater. Kang uses the datasets and scientific expertise that NASA satellites and scientists provide and employs immersive storytelling and audiovisual techniques to address the climate crisis and its impact on freshwater. The Passage of Water web artwork was launched on the Google Arts & Culture platform on 30 November 2023. Author Kang then adapted the online experiment to an in-person exhibition at the 28th United Nations Climate Change Conference of the Parties (COP28) Dubai, UAE, from 30 November to 12 December 2023.
Artwork context: The web artwork launched on Google Arts & Culture in November 2023 and was adapted for presentation at COP28 in Dubai.
Related artworks: https://www.xdlab.net/projects/passage-of-water
Official artwork sources: Google Arts & Culture artwork: https://artsandculture.google.com/experiment/dAElpEyEjuE9XQ?hl=en
Official publisher source: https://direct.mit.edu/leon/article/58/1/14/124507/Passage-of-Water-Artistic-Exploration-of-Earth-s
Markdown: https://www.xdlab.net/publications/passage-of-water-leonardo-2025/markdown

## SoTA: An Interactive Art Exhibition for Public AI Engagement
Canonical URL: https://www.xdlab.net/publications/sota-dis-2026
Authors: Jeanyoon Choi, Intae Hwang, SeJoon Park, Hyungjun Cho, Heejae Bae, Yiyun Kang
Venue: ACM Designing Interactive Systems Conference 2026 (DIS ’26)
Proceedings: Proceedings of the 2026 Designing Interactive Systems Conference
Pages: 4156–4180
Publisher: Association for Computing Machinery (ACM)
DOI: https://doi.org/10.1145/3800645.3812889
Recognition: Honorable Mention Award · ACM DIS 2026
Abstract: We introduce SoTA, a multi-device interactive artwork on artificial intelligence (AI). It visualises 118 neural network architectures as artistic objects that can be experienced at an immersive scale, allowing audiences to select, explore, and navigate different models interactively. The installation is also characterised by an intentional narrative shift that moves from open-ended exploration to abstract visualisation. We exhibited SoTA in a public art museum and conducted an in-situ study with 33 participants to investigate how aesthetic experiences foster affective and critical reflection, complementing technical explanation in public AI engagement. Our findings reveal how aesthetic environments create emotional conditions that foster deeper inquiry, leading to enhanced understanding, productive ambivalence, and ultimately personal, philosophical, and societal reflection on AI. We conclude by discussing the opportunities of artistic exhibitions for public AI engagement and suggest three concrete design strategies grounded in our design and evaluation of SoTA.
Related artworks: https://www.xdlab.net/projects/sota
Official artwork sources: SoTA artwork site: https://sota-xdlab.net/
ACM Digital Library: https://dl.acm.org/doi/10.1145/3800645.3812889
Markdown: https://www.xdlab.net/publications/sota-dis-2026/markdown

## Light Architecture: Translating the AI Black Box into Immersive Experience
Canonical URL: https://www.xdlab.net/publications/light-architecture-siggraph-2026
Authors: Yiyun Kang
Venue: ACM SIGGRAPH 2026 Art Papers
Journal: Proceedings of the ACM on Computer Graphics and Interactive Techniques
Volume/issue: 9(3)
Pages: 1–12
Publisher: Association for Computing Machinery (ACM)
DOI: https://doi.org/10.1145/3816075
Abstract: Addressing the “Great Anxiety” driven by AI’s inherent black-box nature, this paper proposes Light Architecture (Figure 1) to render these opaque systems perceptible. Departing from generative AI art, this project performs a structural Translation of invisible AI architecture. The installation functions as a Gesamtkunstwerk, synthesizing kinetic Neural Pods, projection, and spatial audio into an immersive system. Furthermore, Light Architecture transcends mere translation, aiming to physically construct a brain-inspired conceptual model that transcends the linear optimization of conventional AI. Therefore, this research comprehensively examines the design processes underlying Light Architecture. Theoretically grounded in Heidegger’s notion of Unconcealment (Aletheia), the work strips away seamless interfaces to physically manifest algorithmic flows. By converting abstract logic into visceral sensory experience, the project proposes a paradigm shift from Explainable AI (XAI) to Experiential AI. Ultimately, this paper argues that confronting the AI Hyperobject through embodied engagement is essential for reclaiming human agency. By “Making the Invisible Visible,” Light Architecture offers a poetic yet critical framework for navigating the inscrutable technological terrain of the algorithmic age.
Artwork context: A 2024 kinetic audiovisual installation using four projections, 12.8-channel spatial audio, and 24 kinetic modules, presented at Seoul Design 2024 at Dongdaemun Design Plaza (DDP).
ACM Digital Library: https://dl.acm.org/doi/10.1145/3816075
Markdown: https://www.xdlab.net/publications/light-architecture-siggraph-2026/markdown

# People

## Yiyun Kang
Canonical URL: https://www.xdlab.net/people/yiyun-kang
Entity ID: https://www.xdlab.net/people#yiyun-kang
Korean name: 강이연
Aliases: 강이연, Yiyun Kang, YIYUN KANG, Kang Yiyun, Dr. Yiyun Kang, Prof. Yiyun Kang, 강이연 교수, 강이연 작가
Role: Director & Professor / 디렉터 · KAIST 산업디자인학과 교수
Affiliation: XD Lab (KAIST Experience Design Lab), Department of Industrial Design, KAIST
Media artist and researcher. Immersive projection, site-specific installation, media art.
미디어 아티스트 · 연구자. 몰입형 프로젝션, 장소 특정 설치, 미디어아트 연구.
Hello, I am the director of XD Lab, and you can find my information here.
Education: PHD Information Experience Design | Royal College of Art
MFA Design and Media Arts | UCLA 
BFA Fine Arts | Seoul National University
Official profiles: https://www.yiyunkang.com, http://yiyunkang.com, https://www.instagram.com/yiyunkang/
Credited artwork: Only in the Dark — https://www.xdlab.net/projects/only-in-the-dark
Credited artwork: Passage of Water — https://www.xdlab.net/projects/passage-of-water
Credited artwork: Uncharted Territory — https://www.xdlab.net/projects/uncharted-territory
Credited artwork: SoTA — https://www.xdlab.net/projects/sota
Authored publication: Passage of Water: Artistic Exploration of Earth’s Freshwater with Google and NASA — https://www.xdlab.net/publications/passage-of-water-leonardo-2025
Authored publication: SoTA: An Interactive Art Exhibition for Public AI Engagement — https://www.xdlab.net/publications/sota-dis-2026
Authored publication: Light Architecture: Translating the AI Black Box into Immersive Experience — https://www.xdlab.net/publications/light-architecture-siggraph-2026
## Jeanyoon Choi
Canonical URL: https://www.xdlab.net/people/jeanyoon-choi
Entity ID: https://www.xdlab.net/people#jeanyoon-choi
Korean name: 최정윤
Aliases: 최정윤, Jeanyoon Choi, JEANYOON CHOI, Choi Jeanyoon, 최정윤 작가
Role: PhD Candidate / 박사과정
Affiliation: XD Lab (KAIST Experience Design Lab), Department of Industrial Design, KAIST
Creative Web Developer and Computational Artist working with inter-device interaction design and creative coding.
크리에이티브 웹 개발자이자 컴퓨테이셔널 아티스트. 기기 간 인터랙션 디자인과 크리에이티브 코딩을 연구한다.
Jeanyoon Choi is a computational artist and researcher. He designs and researches multi-device web artworks that reflect the complexity of contemporary socio-technological systems, including AI, algorithmic culture, and economic structures. By interconnecting mobile devices and screens, these artworks create provocatively interactive environments. He merges art, philosophy, science with software engineering and design to translate these ideas into interactive experiences.

Research Area: Multi-Device Web Artwork, Systems Art, Cross-Device Interaction Design, Creative Coding
Education: MA Information Experience Design | Royal College of Art
BS Industrial Engineering | Seoul National University
Official profiles: https://www.portfolio-jyc.org/, https://jeanyoon.ch/oi, jeanyoon.ch/oi, https://www.instagram.com/schumpeterstrasse/, https://www.linkedin.com/in/jeanyoonchoi/
Credited artwork: ≠ (Nonequality) — https://www.xdlab.net/projects/nonequality
Credited artwork: Uncharted Territory — https://www.xdlab.net/projects/uncharted-territory
Credited artwork: SoTA — https://www.xdlab.net/projects/sota
Credited artwork: Ω — https://www.xdlab.net/projects/omega
Credited artwork: Banpo-Xism — https://www.xdlab.net/projects/banpo-xism
Authored publication: Passage of Water: Artistic Exploration of Earth’s Freshwater with Google and NASA — https://www.xdlab.net/publications/passage-of-water-leonardo-2025
Authored publication: SoTA: An Interactive Art Exhibition for Public AI Engagement — https://www.xdlab.net/publications/sota-dis-2026
## Intae Hwang
Canonical URL: https://www.xdlab.net/people/intae-hwang
Entity ID: https://www.xdlab.net/people#intae-hwang
Korean name: 황인태
Aliases: 황인태, Intae Hwang, INTAE HWANG, Hwang Intae, 황인태 작가
Role: MS Candidate / 석사과정
Affiliation: XD Lab (KAIST Experience Design Lab), Department of Industrial Design, KAIST
Interactive data art and biofeedback installation. Crystallizes data into new phenomena, awakening the joy of witnessing truth in an increasingly complex world. Works exhibited at the Fiminco Foundation, YDP Artsquare, KF XR Gallery, Ground Seoul, and KAIST.
인터랙티브 데이터 아트와 바이오피드백 설치. 데이터를 새로운 현상으로 결정화함으로써 복잡해진 세계 속에서 진실을 목격하는 즐거움을 되살린다. 피민코 재단, 영등포아트스퀘어, KF XR 갤러리, Ground Seoul, KAIST 등에서 전시.
I create data art.
Education: BS Industrial Design & Computer Science | KAIST
Official profiles: https://www.hwangintae.com/, https://www.hwangintae.com
Credited artwork: Technosphere: UNITE D’HABITATION — https://www.xdlab.net/projects/technosphere-anthropocene
Credited artwork: Goldilocks — https://www.xdlab.net/projects/goldilocks
Authored publication: SoTA: An Interactive Art Exhibition for Public AI Engagement — https://www.xdlab.net/publications/sota-dis-2026
## Minhyeok Seo
Canonical URL: https://www.xdlab.net/people/minhyeok-seo
Entity ID: https://www.xdlab.net/people#minhyeok-seo
Korean name: 서민혁
Aliases: 서민혁, Minhyeok Seo, MINHYEOK SEO, Seo Minhyeok, 서민혁 작가
Role: MS Candidate / 석사과정
Affiliation: XD Lab (KAIST Experience Design Lab), Department of Industrial Design, KAIST
Interactive artworks and immersive spaces that embody complex human emotions. Works exhibited at KF XR Gallery and KAIST.
인간의 복잡한 감정을 담는 인터랙티브 아트와 몰입적인 공간. KF XR 갤러리와 KAIST에서 전시.
Education: BS Industrial Design & Material Science Engineering | KAIST
Official profiles: Not specified
Credited artwork: Biosphere: JENGA — https://www.xdlab.net/projects/biosphere-anthropocene
Credited artwork: SoTA — https://www.xdlab.net/projects/sota
Credited artwork: MUESUM — https://www.xdlab.net/projects/muesum

# Events archive

- Passage of Water | exhibition | 2023-11-30 | UNFCCC Cop28 | https://www.forbes.com/sites/lesliekatz/2023/12/03/cop28-artist-teams-with-google-for-vivid-interactive-dive-into-freshwater-crisis/
- Istanbul Digital Art Festival 2024 | exhibition | 2024-05-02 – 2024-05-05 | Ataturk Cultural Center | https://digitalartfestistanbul.org/en/idaf-24-en/
- Noli : jeux coréens | exhibition | 2024-05-23 – 2024-10-05 | Centre Culturel Coréen à Paris | https://www.coree-culture.org/noli-jeux-coreens-la-coree-tire,5916.html
- Projecting the Anthropocene | exhibition | 2024-09-02 – 2024-09-04 | KAIST E14 Building | https://anthropocenestudies.com/6867-2/
- Seoul Design 2024 Thematic Exhibition | exhibition | 2024-10-17 – 2024-10-27 | Dongdaemun Design Plaza (DDP) | https://seoul-design.or.kr/exhibition/thematic-exhibition/
- Crossing Over | exhibition | 2024-12-19 – 2024-12-26 | Ground Seoul | https://www.xdlab.net/events#record-6
- SoTA: State-of-the-Art | exhibition | 2024-12-17 – 2025-06-30 | KAIST Art Museum | https://sota-xdlab.net/
- Members of the Public Diplomacy Committee of the Ministry of Foreign Affairs | appointment | 2024-11-01 – 2026-11-30 | Ministry of Foreign Affairs | https://www.kaist.ac.kr/news/html/news/?mode=V&mng_no=42810&skey=prof&sval=%EA%B0%95%EC%9D%B4%EC%97%B0&list_s_date=&list_e_date=&GotoPage=1
- Entanglement | exhibition | 2025-07-10 – 2026-09-05 | The Heritage Museum, Shinsegae Main Store | http://shinsegaetheheritage.co.kr/4fheritage/?lang=en&gbn=list
- Joongang Ilbo Press Release | press | 2025-10-14 – 2025-10-14 | KF (Korea Foundation) XR Gallery | https://www.joongang.co.kr/article/25373446
- Platform: Still Human | exhibition | 2025-09-30 – 2026-02-27 | KF (Korea Foundation) XR Gallery | https://id.kaist.ac.kr/article/d0bdfb9c-54be-4f62-bb41-65ce689362fe
- Design Korea 2025 | exhibition | 2025-11-12 – 2025-11-16 | COEX | https://designkorea.kidp.or.kr/exhibition/topic.html
- Platform: Still Human Roundtable KF XR Gallery | talk | 2026-02-02 – 2026-02-02 | KF (Korea Foundation) XR Gallery | https://www.xdlab.net/events#record-13
- TED 2026 Vancouver | talk | 2026-04-13 – 2026-04-17 | Vancouver Convention Centre | https://conferences.ted.com/ted2026/speakers
- Illumination | exhibition | 2026-04-24 – 2026-06-21 | Fondation Fiminco | https://www.fondationfiminco.com/programmation-details/illumination-l-art-numerique-coreen-a-l-honneur.html
- Living Geometry: XD Lab Exhibition | exhibition | 2026-05-01 – 2026-06-28 | YDP Art Square, Times Square | https://www.xdlab.net/events/living-geometry-2026
- Living Geometry: Opening Event | event | 2026-05-08 – 2026-05-08 | YDP Art Square, Times Square | https://www.xdlab.net/events/living-geometry-2026
- Living Geometry: Artist Talk | event | 2026-06-20 – 2026-06-20 | YDP Art Square, Times Square | https://www.xdlab.net/events/living-geometry-2026
# Citation guidance

Cite the canonical XD Lab project URL for the artwork and the DOI URL for the paper. Do not treat all paper authors as artwork creators. For SoTA, the artwork creator credit and the ACM DIS 2026 paper author list are separate entities.